Printmaking

Code: R1413-21

    • II

      Level II

      Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.

    • III

      Level III

      Students have significant experience in the print medium that is the subject of the workshop.

Carving Away: woodcut reductions

Sep 6 - 10, 2021

9AM-5PM

Concept

Challenge yourself to the mental gymnastics and unexpected results involved in reduction woodcut. The efficiency and logic of using one woodblock for successive layers of printing color and carving of details allow for a journey that is both meticulously planned and spontaneous at the same time. This workshop keeps the process alive with possibilities and innovations that subvert and reinvent the color reduction woodblock. The approach offers contemporary, creative methods that inspire boldness, simplicity and strong, artistic intention.

Media

Reduction woodcut printmaking with demonstrations and discussions of cutting, oil- and water-based inks, printing woodblocks with an etching press as well as by hand

Supply List

Faculty

Karen Kunc

Karen Kunc is a professor at the University of Nebraska, Lincoln. She has received Fulbright awards to Finland and Bangladesh, and has taught and lectured worldwide. Collections include Beach Museum, Huntington Museum, Milwaukee Art Museum, MOMA and the Smithsonian American Art Museum. Karen is the owner of Constellation Studios.

Learn More

Karen Kunc, Fury and Flow - detail

Join Waitlist for Carving Away: woodcut reductions

Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.

Printmaking

Discover the exciting possibilities of this historically rooted medium. Our Printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer printmaking workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.

Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga and lithography. Students have access to individual work tables, wall space, palettes, rags, hand tools, power tools, computers with Adobe software, wi-fi, printing, scanning, and projection capabilities.

At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.

Anderson Ranch is happy to extend a 20% tuition discount* in summer one- or two-week adult workshops for SGC International members. Please register online and then email reg@andersonranch.org with your membership information and we will make the adjustment once you are in the system. You are also welcome to call 970-924-5089 to register. *Please note that the SGC discount cannot be combined with any other discount, scholarship or special offer. 

Learn More

Workshop Details

Supply List

Many of the items you'll need are available in the ArtWorks Store. Please click "View Full Supply List" to see a comprehensive list of items you'll need for this workshop.

X-Acto knife and blades

Buy

2 - 3 rollers, soft rubber Speedball, variety of sizes 1" to 4"

do not get ones with wooden inner core

Buy

Mulberry paper

4 – 6 sheets of Japanese rice papers, natural color or white, many kinds are possible. Recommended: Mulberry

Buy

Kitakata paper

4 – 6 sheets of Japanese rice papers, natural color or white, many kinds are possible. Recommended: Mulberry

Buy

Okaware Student Grade paper

4 – 6 sheets of Japanese rice papers, natural color or white, many kinds are possible. Recommended: Mulberry

Buy

Palette knives

Buy

Masking tape

Buy

Pens

Buy

Scissors

Buy

Lodging & Meals

Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations. 

We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.

The Ranch Café meal plan that is included with Room and Board fees strives to provide healthy, creative meals that will nourish your artistic creativity. The meal plan includes 5 days of continental breakfasts that will include a hot offering, 5 lunches with a selection of offerings, and 5 dinners.

 

Scholarships, College Credit & Discounts

Making Art Accessible

Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.

Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.

Learn More

You Might Also Be Interested In

  • O

    Open to All

    Students of any skill and knowledge level.

Jun 3 - 7, 2024
9AM - 5PM

Monoprint and Transfers: Distorting the Image

Golnar Adili

Tuition $1,160
Code R0101-24

In this experimental, mixed-media printmaking workshop, students start by working in simple and immediate print processes such as solvent transfer and monoprint to reproduce an image, then distort and make anew through scale shift, repetition, folding, cutting, weaving, collage, stacking, and wrapping. Students allow the image to inspire the distortion-making process, and pull from different disciplines such as book arts, topographical maps, maquettes, and architecture. Even though monoprint tracing and transfers are introduced and explored, any 2D image-making process can be the starting point for transformation of the flat and the ordinary into extraordinary dimensional works.

Learn More

  • O

    Open to All

    Students of any skill and knowledge level.

Jun 10 - 14, 2024
9AM - 5PM

Woodcut and Collage

Yashua Klos

Tuition $1,160
Code R0202-24

Explore the process of translating imagery into dynamic mark-making that is intrinsic to the medium of woodblock printmaking and collage. Students combine elements of woodblock printmaking, drawing, cut paper, and other collage materials to produce complex and compelling imagery, and add to their practice with a whole new toolbox of methods and new conceptual approaches to the woodblock medium. While the primary tenets of traditional block printing are covered, printmaking operates as a means to facilitate the student’s concept. Students gain knowledge of the fundamentals of woodblock printmaking—carving, reproduction, registration, inking, etc.—and various collage applications to produce a multilayered surface.

Learn More

  • IV

    Level IV

    Students have advanced skill and knowledge of the printmaking fields. Students are highly motivated and self­-directed, have a minimum of five years experience in their field, and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.

Jun 17 - 21, 2024
9AM - 5PM

Master Class: Advanced Printmaking: Topics and Techniques

Meleko Mokgosi, Brian Shure

Tuition $1,300
Code R0303-24

This unique opportunity for advanced printmakers creates a forum for dialog on curating practice to give strong direction to artistic work. Artists are invited to work on self-directed projects in the printmaking area of their choosing while receiving technical support in tandem with critical feedback. Opportunities for technical demonstrations, group critique, and one-on-one mentorship make up the structure of this master class. *Brian Shure will be present for the entire duration of the workshop; Meleko Mokgosi will join daily from 9am - 3pm.   Portfolios will be accepted on a rolling basis. Instructions on how to submit your portfolio are as follows: Submit digital images of your work in one single PDF (as opposed to individual JPG attachments) via email directly to Lindsey Yeager, Studio Coordinator of Painting, Drawing & Printmaking, at lyeager@andersonranch.org The single PDF must be less than 10 MB to be considered. Include 5-10 images of your work with image identification that lists the title, media, dimensions and year of each image. While not required, it is helpful to see an artist statement addressing the images you send. Include “Advanced Portfolio Review” in the subject line of your email, as well as the title of the workshop for which you are applying. Please provide a phone number where you can be reached and a link to your website. Submissions that do not follow the requested directions will not be reviewed. If you are accepted, a deposit of $650 will be required within one week of notification of acceptance to hold your place. Housing will be assigned on a space-available basis upon enrollment.

Learn More

Thank you for subscribing to our newsletter.

Tell us what you're interested in!