Critical Dialogue

Code:

    Critical Dialogue: Art and the Environment: Considering Climate Change

    Jul 31, 2023

    10AM - 12:30 PM

    Concept

    Click here to register.

    We want our programming to be accessible to a broad audience. Scholarships are awarded on a space-available basis. If you are interested in a scholarship, please reach out to Liz Ferrill at lferrill@andersonranch.org.

    Acclaimed artists Alan Michelson and Mary Mattingly share their journey of confronting climate change in their art with Climate Museum director, Miranda Massie. At a time of growing momentum to reckon with the daunting effects of climate change, we hear the stories of two artists’ approach to using their art to speak about the changing climate and the myriad of ways it has affected communities in the US. Alan Michelson has been a leading practitioner of a socially engaged, critically aware, site-specific art grounded in local context and informed by the retrieval of repressed histories. Mattingly combines photography, performance, portable architecture and sculptural ecosystems into poetic visions of adaptation and survival, offering specific solutions and architectural prototypes that we can build upon in our pursuit of a better life. Miranda Massie, founder of the Climate Museum, a dedicated home for interdisciplinary arts-based climate programming, leads this exciting and pertinent discussion, inviting us all to tackle this difficult reality through the creative lens of art.

    Lunch is included and takes place following the program from 12:30 PM – 1:30 PM 

    Media

    This workshop takes place in Schermer Meeting Hall and consists of lectures and discussions. 

    Faculty

    Alan Michelson

    Alan Michelson is an internationally recognized New York-based artist, curator, writer, lecturer and Mohawk member of the Six Nations of the Grand River. For over thirty years, he has been a leading practitioner of a socially engaged, critically aware, site-specific art grounded in local context and informed by the retrieval of suppressed histories. Current and recent exhibitions include the 14th Gwangju Biennale, Enmeshed at the Tate Modern, and Greater New York 2021 at MoMA/PS1. His solo exhibition Alan Michelson: Wolf Nation was presented at the Whitney Museum of American Art in 2019-2020. His essays have appeared in Aperture, Frieze, and October, and he was featured in a recent profile in the New York Times. Michelson’s work is represented in several collections, including the Whitney Museum of American Art, the Smithsonian National Museum of the American Indian, the National Gallery of Canada, and the Art Gallery of Ontario. Michelson was co-founder and co-curator of the groundbreaking Indigenous New York series with the Vera List Center for Art and Politics at the New School, where he currently serves on the board.

    Learn More

    Miranda Massie

    Miranda Massie is the director of New York City’s Climate Museum, the first climate-dedicated museum in the US. The Museum mobilizes interdisciplinary arts programming to empower climate protagonists, recognizing that our civic culture does not currently express the overwhelming public support for transformational climate action that exists across the US. Miranda left a career in civil rights impact litigation to establish the Museum, having been awarded a Mentorship-in-Residence at Yale Law School and W.E.B. DuBois Institute and Wasserstein Public Interest Fellowships at Harvard University, among other honors, in her prior role. She has jurored numerous climate-focused art and design competitions; her graduate-level guest teaching engagements include programs in Interaction Design at the School of Visual Arts, Museum Studies at NYU, Architecture & Landscape Architecture at RISD, and Climate & Society at Columbia. She is a Public Voices Fellow on the Climate Crisis with the OpEd Project and the Yale Program on Climate Change Communication.

    Learn More

    Mary Mattingly

    Mary Mattingly is an interdisciplinary artist who is driven to explore imagined socio-ecological futures. She builds sculptural ecosystems that prioritize access to food and clean water, resulting in large-scale participatory platforms around the world she calls “proposals”. These proposals rely on absurdity and chance encounters to shift perceptions. In 2016, she led Swale, a floating sculpture and edible landscape on a barge in New York that depended upon water common law and inspired NYC Parks to establish their first public “Foodway.” In a city where foraging is otherwise prohibited, the Foodway provides a place where people can legally gather food from public land. Mattingly is also known for bundling personal objects into large sculptures about consumption and for large-scale artworks like Limnal Lacrimosa (of Lakes, Tears) in Montana; Vanishing Point in the UK; and the Waterpod in New York. Mattingly’s work has also been exhibited at institutions such as Storm King Art Center, the International Center of Photography, Seoul Art Center, the Brooklyn Museum, Palais de Tokyo, Barbican Art Gallery, and Museo Nacional de Bellas Artes in Havana. Notable grants include the James L. Knight Foundation, the Harpo Foundation, New York Foundation for the Arts, and the Jerome Foundation.

    Learn More

    Tuition: $100.00
    Studio Fee: $
    Registration Fee: $

    Join Waitlist for Critical Dialogue: Art and the Environment: Considering Climate Change

    Workshop Details

    Lodging & Meals

    Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.

    We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.

    The Ranch Café meal plan that is included with Room and Board fees strives to provide healthy, creative meals that will nourish your artistic creativity. The meal plan includes 5 days of continental breakfasts that will include a hot offering, 5 lunches with a selection of offerings, and 5 dinners.

     

    Related Events

    Health & Safety

    Beginning February 2023, Anderson Ranch will no longer require proof of Covid-19 vaccination for studio and artistic program participants. For your own safety as well as the safety of our community, we highly encourage all program participants to be up to date with their vaccinations for COVID-19 as well as the flu vaccine. We also encourage you to carry health and traveler’s insurance.

    Click here for additional health and safety information.

    Scholarships, College Credit & Discounts

    Making Art Accessible

    Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.

    Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.

    Learn More

    You Might Also Be Interested In

    • II

      Level II

      Photography students have a basic understanding of photography principles and technology and are comfortable using an SLR camera in manual mode. New Media students have a basic understanding of video, multimedia or animation software. Students have basic computer skills and are comfortable using a Macintosh computer.

    • III

      Level III

      Photography students have some formal training and significant experience making, capturing and digitally processing images using Adobe Lightroom and/or Adobe Photoshop. New Media students have some formal training in conceptual and technological aspects of video, multimedia, coding or animation and are versed in the appropriate software applications. Students have a portfolio of their artwork.

    • IV

      Level IV

      Photography students have advanced skills and knowledge of photography and digital image processing. New Media students have advanced skills and knowledge of video, multimedia, coding or animation. Students are self­-motivated and have multiple portfolios of their artwork.

    Jul 31 - Aug 4, 2023
    9AM-5PM

    Finding Your Personal Vision

    Alex & Rebecca Norris Webb

    Tuition $1,200
    Code P0929-23

    This workshop is about finding your own unique vision of Colorado by using the camera to explore the region in a direct, spontaneous way. The instructors emphasize the development of personal ways of seeing photographically. Students learn how to select and sequence their work intuitively and discuss how to take photography practices to the next level are central to the foundation of this workshop. Please note: This is a workshop for photographers who collaborate with the world, not for those who dramatically alter their photographs digitally. Participants choose their own assignments with instructor-guided group discussions and individual reviews.

    Learn More

    • IV

      Level IV

      Students have advanced skill and knowledge of painting and drawing. Students are highly motivated and self­-directed, have a minimum of five years experience in their field and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.

    Jul 31 - Aug 4, 2023
    9AM-5PM

    Master Class: The Elements and Concerns of Painting

    Meleko Mokgosi

    Tuition $1,250
    Code D0916-23

    In this master class workshop for advanced painters, students investigate their intentions and concerns within their painting practice while working at a rigorous pace in the studio. The class consists of one-on-one and group critiques, discussions, readings, and ample studio time to make new inquiries into their work. Participants are challenged to explore new avenues and dive deep into the content and methods behind their practice. Topics for discussion are narrative structures, research methodologies, discursive frameworks, color and gesture, symbolism, and more. Students are asked to bring a digital portfolio of recent work to share with the class. The instructor teaches only from 9 am – 3 pm. The Artistic Director of Painting, Drawing, and Printmaking teaches from 3 – 5pm.   ‏‏‎ ‎Portfolios will be accepted on a rolling basis. Instructions on how to submit your portfolio are as follows: Submit digital images of your work in one single PDF (as opposed to individual JPG attachments) via email directly to Artistic Director Liz Ferrill at lferrill@andersonranch.org The single PDF must be less than 10 MB to be considered. Include 5-10 images of your work with image identification that lists the title, media, dimensions and year of each image. While not required, it is helpful to see an artist statement addressing the images you send. Include “Advanced Portfolio Review” in the subject line of your email, as well as the title of the workshop for which you are applying. Please provide a phone number where you can be reached and a link to your website. Submissions that do not follow the requested directions will not be reviewed. If you are accepted, a deposit of $650 will be required within one week of notification of acceptance to hold your place. Housing will be assigned on a space-available basis upon enrollment.

    Learn More

    • O

      Open to All

      Students of any skill and knowledge level.

    Jul 31 - Aug 4, 2023
    9AM-5PM

    Sumi Ink Drawing and Beyond

    Yoonmi Nam

    Tuition $1,195
    Code D0917-23

    Artists engage with the past while immersing themselves in the present in a workshop that focuses on the practice of drawing using sumi ink and brush on paper. We take a contemporary and experimental approach to sumi ink drawing while referencing traditional Asian brush painting and calligraphy. We consider brush marks and lines to be descriptive, meditative, intuitive, experimental, and expressive while also examining varied modes of presentations, such as collages and simple folding and bookmaking. Participants are encouraged to come with an open mind and experimental spirit; the only expectation is to be present within the process.

    Learn More

    Thank you for subscribing to our newsletter.

    Tell us what you're interested in!