Ceramics
Code: ZSC0101-22
-
O
Open to All
Students of any skill and knowledge level.
Facilitated Studio Practice: Ceramics
Jan 3 - 21, 2022
Monday-Friday, 9AM-5PM*
Concept
Anderson Ranch’s Facilitated Studio Practice approach provides artists the opportunity to work on independent projects while receiving regular one-on-one mentoring and critique sessions with Anderson Ranch artistic staff and interns. Each participant receives an assigned studio space, orientation and access to equipment, as well as five hours of weekly technical guidance in the Ranch’s state-of-the-art facilities.
This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition.
Applicants must submit project proposals or portfolios for approval. A limited number of participants will be accepted and rigorous health and safety standards, as well as social distancing requirements, must be followed.
*Studios are open 24 hours a day and on weekends for students enrolled in multiple weeks, with limited use of equipment due to safety requirements. Evening monitoring hours are Tuesdays & Thursdays, 7 – 9 PM.
- Facilitated Studio Practice winter sessions run January 3-21 and participants may register for one, two or all three weeks.
- Cost is $1,000 per week.
- Private dorm rooms are available at Anderson Ranch for one, two or three weeks for an additional fee; please inquire for details and availability.
- Contact Liz Ferrill to apply: [email protected]
Media & Techniques
Please bring any materials or mediums you are comfortable working with.
Faculty
Louise Deroualle
Studio Coordinator, Ceramics
Louise Deroualle received her MFA in Ceramics from the University of Nebraska, Lincoln in 2017. She has exhibited her work in the US and Brazil. In 2017 she was awarded the Roswell Artists-in-Residence fellowship. She is currently the Ceramic Studio Coordinator at Anderson Ranch Arts Center, in Colorado, where she also keeps her studio practice. Preferred Pronouns: She/Her
Join Waitlist for Facilitated Studio Practice: Ceramics
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Ceramics
In 1966, American ceramicist Paul Soldner selected the site for what is now Anderson Ranch Arts Center, forming the foundation for a thriving ceramics program. Then and now, Anderson Ranch is a place where students exchange ideas and examine ceramic art and pottery techniques. It has always been a place where seminal moments of growth happen in an artist’s creative and critical thinking. Here, both beginning and emerging artists gain strong fundamental support, while established artists achieve new perspectives and advance their techniques.
The Ranch Ceramics team provides support, feedback and technical problem-solving, giving each artist the freedom to experiment and grow. Our primary focus is on personal advancement through a process of creative discovery.
The Soldner Ceramics Center makes up more than 10,000 square feet in three buildings with 3 studio spaces and 1 kiln yard; Soldner Studio, Long Studio, Sorenson Studio and Lyeth/Lyon Kiln Building. Soldner and Long studios are used for wheel-throwing, hand-building, or general ceramics creativity. Sorenson studio is equipped with five PotterBot 3d clay printers. The Lyeth/Lyon kiln building is equipped with gas, electric, soda and wood kilns for both oxidation and reduction firing at all temperature ranges. The Ranch offers three wood kilns including a gas/wood hybrid kiln, three gas reduction kilns, one soda kiln and eleven high-temperature electric kilns.
Anderson Ranch is happy to extend a tuition discount* in summer one- or two-week adult ceramics workshops** for NCECA members at the student membership level or above. Please email reg@
Workshop Details
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In
-
II
Level II
Students have a basic understanding of forming techniques, such as throwing and hand building. Students have taken one or two ceramics classes or workshops.
-
III
Level III
Students have significant experience with clay forming techniques, such as throwing, hand building and modeling. Students are comfortable with ceramics equipment, such as wheels, extruders and slab rollers. Students are self-starting with some formal training and have taken a minimum of three classes or workshops.
Jun 23 - Jul 4, 2025
9AM-5PM
Pouring Pots
Seth Green
Tuition $2,010
Code C0405-25
The focus of this wheel-throwing/hand-building workshop is on learning how to make a variety of different spouts for pouring pots such as teapots, pitchers, and ewers. Time is dedicated to form-making demonstrations on the wheel as well as spout, lid, and handle assembling techniques. Students have the opportunity to make simple plaster press molds and paper templates in addition to using the wheel to make spouts. Ultimately, the workshop gives participants the skills they need to confidently take their pouring pots to the next level in their future making opportunities.
-
O
Open to All
Students of any skill and knowledge level.
-
Ages 13-17
Jun 23 - 27, 2025
9AM-3PM
Wheel Throwing for Teens
Molly Altman
Tuition $725
Code C0407-25
Discover the endless possibilities of clay through pottery’s many creative forms, including bowls, plates, cups, and mugs. This workshop, designed specifically for teens, introduces students to the potter’s wheel. Students start with centering the clay and work their way to the creation of forms. Students decorate their vessels with the Italian technique of maiolica, a white glaze that serves as a canvas for painting decoration.
-
II
Level II
Students have a basic understanding of forming techniques, such as throwing and hand building. Students have taken one or two ceramics classes or workshops.
-
III
Level III
Students have significant experience with clay forming techniques, such as throwing, hand building and modeling. Students are comfortable with ceramics equipment, such as wheels, extruders and slab rollers. Students are self-starting with some formal training and have taken a minimum of three classes or workshops.
Jun 23 - Jul 4, 2025
9AM-5PM
Personal and Poetic: Contemporary Ceramic Totemic Sculpture
Yana Payusova
Tuition $1,910
Code C0406-25
Students spend two weeks creating a large-scale totemic sculpture assembling hand-built forms. Thematically, this workshop investigates the importance of materiality to recollection and personal narrative, as well as the emotional tension within memory, materiality, and identity. Students are introduced to a variety of surface decoration techniques and approaches.