Printmaking
Code: R1211-21
-
II
Level II
Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.
-
III
Level III
Students have some formal training in digital fabrication, experience with a variety of materials and fabrication processes, and know how to use CNC, 3-D printers, or laser cutters competently and safely. Students have a portfolio of their work.
Investigational Monoprint: laser-engraved plexiglass plates
Aug 23 - 27, 2021
9AM-5PM
Concept
This multi-layered workshop combines the immediacy of traditional monoprint processes with digital technology through laser-cut and laser-engraved plexiglass plates. Students create a dynamic series of multi-layered prints that explore a range of image, color, format and texture. Monoprint plates are transformed using equipment in Anderson Ranch Art Center’s Digital Fabrication Lab (“FabLab”) and are then printed and added to in the Patton Print Shop. This exciting combination of techniques allows students to experiment with elements ranging from the painterly brush stroke of monotype to photographic halftones, shaped plates, digital drawings, precise pattern and text.
Media
Laser cutters incise into plexiglass plates, plates are inked and printed with monoprint techniques. Basic Photoshop skills are necessary.
Supply ListFaculty
Susan Belau
Susan Belau uses representation and abstraction to connect the processes of drawing and printmaking to landscape, memory and place. She is an Associate Professor at San Francisco State University. She received her MFA in Printmaking from the University of Nebraska, Lincoln and trained as a printer at Paulson Press in Berkeley, CA.
Susan Belau, California Buckwheat - detail
Join Waitlist for Investigational Monoprint: laser-engraved plexiglass plates
Printmaking
Discover the exciting possibilities of this historically rooted medium. Our Printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer 2021 print workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.
Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga and lithography. Students have access to individual work tables, wall space, palettes, rags, hand tools, power tools, computers with Adobe software, wi-fi, printing, scanning, and projection capabilities.
At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.
Anderson Ranch is happy to extend a 20% tuition discount in summer one- or two-week adult workshops for SGC International members. Please register online and then email reg@andersonranch.org with your membership information and we will make the adjustment once you are in the system. You are also welcome to call 970-924-5089 to register.
Workshop Details
Supply List
Many of the items you'll need are available in the ArtWorks Store. Please click "View Full Supply List" to see a comprehensive list of items you'll need for this workshop.
Sketchbook
White eraser
Masking tape
2H pencil
B pencil
2B pencil
Fine black sharpie
Extra-fine black sharpie
Utility knife with snap off blades, like an Olfa*
X-Acto knife with a #11 blade and extra blades
10 sheets (minimum) of printmaking paper. Paper for proofing and printing. Suggested paper: Rives BFK, 22 x 30” 250 gsm
Japanese papers for printing, such as: Kozo, Kitikata, Gampi.
Colored pencils
Lodging & Meals
Anderson Ranch closely follows guidance released by the Centers for Disease Control and Prevention, the State of Colorado and the Pitkin County Health Department. In order to operate safely during the ongoing COVID-19 pandemic, Anderson Ranch has made significant modifications to our housing and meal offerings.
Beginning February 2023, Anderson Ranch will no longer require proof of Covid-19 vaccination for studio and artistic program participants. For your own safety as well as the safety of our community, we highly encourage all program participants to be up to date with their vaccinations for COVID-19 as well as the flu vaccine. We also encourage you to carry health and travelers insurance.
We have established a Business Safety Plan with added layers of precaution that prioritizes the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
COVID-19 Safety Plan
Scholarships & College Credit
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Click below to learn more.
You Might Also Be Interested In
-
O
Open to All
Students of any skill and knowledge level.
Jun 5 - 9, 2023
9AM-5PM
Screen Printing Using Dry Pigments
Miguel Aragon
Tuition $1,150
Code R0101-23
This workshop explores the exciting and exploratory process of directly screen-printing dry color pigments such as pastels, charcoal, and graphite to develop imagery on paper and other substrates. This experimental approach embraces exploration and stretches the conventional applications of the medium by using image alteration to create a dynamic series of varied multiples of an image. Imagery can be hand-generated or photographic. The technique is introduced as a single process procedure, which can then be used to investigate new ways to discover print qualities to strengthen images and concepts.
-
II
Level II
Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.
-
III
Level III
Students have significant experience in the print medium that is the subject of the workshop.
Jun 12 - 16, 2023
9AM-5PM
Layering Color and Light: Woodcut and Monoprint
Jean Gumpper
Tuition $1,150
Code R0202-23
This rigorous, engaging printmaking workshop focuses on monoprint and woodcut methods with an emphasis on layering color to produce luminous results. We begin with observational studies from the natural world and explore trace, stencil, painterly, and multiple plate monotype methods. Woodcut techniques are then added to layer transparent and opaque color, creating a radiant sense of space. We make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine printing using a woodcut matrix with a variety of monoprint methods.
-
O
Open to All
Students of any skill and knowledge level.
Jun 19 - 23, 2023
9AM-5PM
Electro-Etching: Exploring Surface
Malgorzata Oakes
Tuition $1,150
Code R0303-23
In this experimental workshop, open to all levels, students learn and explore various electro-etching processes. Emphasis is on safer intaglio methods and the fundamentals of electrolysis, from traditional methods of electro-line and electro-tint to innovative approaches that result in rich textures and layered imagery. Processes introduce participants to the science behind electro-etching, a non-toxic work environment, and proper equipment setup and maintenance. Students are encouraged to experiment with various resists, including BIG ground, in addition to working with salt and unconventional mark-making. By the end of this workshop, participants will have printed small editions of their own unique work embedded with various new processes.