Investigational Monoprint: laser-engraved plexiglass plates

In this experimental, mixed-media printmaking workshop, students start by working in simple and immediate print processes such as solvent transfer and monoprint to reproduce an image, then distort and make anew through scale shift, repetition, folding, cutting, weaving, collage, stacking, and wrapping. Students allow the image to inspire the distortion-making process, and pull from different disciplines such as book arts, topographical maps, maquettes, and architecture. Even though monoprint tracing and transfers are introduced and explored, any 2D image-making process can be the starting point for transformation of the flat and the ordinary into extraordinary dimensional works.

Explore the process of translating imagery into dynamic mark-making that is intrinsic to the medium of woodblock printmaking and collage. Students combine elements of woodblock printmaking, drawing, cut paper, and other collage materials to produce complex and compelling imagery, and add to their practice with a whole new toolbox of methods and new conceptual approaches to the woodblock medium. While the primary tenets of traditional block printing are covered, printmaking operates as a means to facilitate the student’s concept. Students gain knowledge of the fundamentals of woodblock printmaking—carving, reproduction, registration, inking, etc.—and various collage applications to produce a multilayered surface.

This unique opportunity for advanced printmakers creates a forum for dialog on curating practice to give strong direction to artistic work. Artists are invited to work on self-directed projects in the printmaking area of their choosing while receiving technical support in tandem with critical feedback. Opportunities for technical demonstrations, group critique, and one-on-one mentorship make up the structure of this master class. *Brian Shure will be present for the entire duration of the workshop; Meleko Mokgosi will join daily from 9am - 3pm.   Portfolios will be accepted on a rolling basis. Instructions on how to submit your portfolio are as follows: Submit digital images of your work in one single PDF (as opposed to individual JPG attachments) via email directly to Lindsey Yeager, Studio Coordinator of Painting, Drawing & Printmaking, at lyeager@andersonranch.org The single PDF must be less than 10 MB to be considered. Include 5-10 images of your work with image identification that lists the title, media, dimensions and year of each image. While not required, it is helpful to see an artist statement addressing the images you send. Include “Advanced Portfolio Review” in the subject line of your email, as well as the title of the workshop for which you are applying. Please provide a phone number where you can be reached and a link to your website. Submissions that do not follow the requested directions will not be reviewed. If you are accepted, a deposit of $650 will be required within one week of notification of acceptance to hold your place. Housing will be assigned on a space-available basis upon enrollment.