Printmaking

Code: R0303-22

    • O

      Open to All

      Students of any skill and knowledge level.

Linoleum and Monotype: Merging Process and Imagery

Jun 20 - 24, 2022

9AM-5PM

Concept

This experimental workshop explores multi-layered images through the use of traditional relief printing from linoleum blocks and one-of-a-kind monotype prints from plexiglass plates. Students have the opportunity to explore and combine both techniques in order to create a series of unique prints with a rich variety of mark making, pattern and texture. While exploring these techniques, students are encouraged to work from source material and develop their ideas to create prints that are both formally beautiful and conceptually engaging.

Media

Relief carving on linoleum, monotype printing from linoleum blocks and plexiglass

Faculty

Nabil Gonzalez

Nabil Gonzalez uses various printmaking techniques as a form of representing erasure and loss of identity through matrix repetition. She is a Professor at the University of Texas, El Paso. She received her MFA in Printmaking from the Rhode Island School of Design.

Learn More

Nabil Gonzales, Fichados

Join Waitlist for Linoleum and Monotype: Merging Process and Imagery

Printmaking

Discover the exciting possibilities of this historically rooted medium. Our Printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer 2021 print workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.

Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga and lithography. Students have access to individual work tables, wall space, palettes, rags, hand tools, power tools, computers with Adobe software, wi-fi, printing, scanning, and projection capabilities.

At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.

Anderson Ranch is happy to extend a 20% Summer Workshop tuition discount for SGC International members. Please register online and then email reg@andersonranch.org with your membership information and we will make the adjustment once you are in the system. You are also welcome to call 970-924-5089 to register.

Learn More

Workshop Details

Supply List

Many of the items you'll need are available in the ArtWorks Store. Please click "View Full Supply List" to see a comprehensive list of items you'll need for this workshop.

Black Sharpie

Buy

Stonehenge

Five sheets minimum strong paper at least 22×30” (like Stonehenge or Rives BFK) or large roll of paper if you want to stay on paper for all projects- should be paper good for wet media

Buy

Thai Kozo Paper - 25" x 37"

Buy

Lodging & Meals

Anderson Ranch closely follows guidance released by the Centers for Disease Control and Prevention, the State of Colorado and the Pitkin County Health Department. In order to operate safely during the ongoing COVID-19 pandemic, Anderson Ranch has made significant modifications to our housing and meal offerings.

Summer 2022 workshop participants ages 13 and up will be required to show proof of Covid-19 vaccination. Studio program participants are required to show proof that they have received the complete Covid-19 vaccine (i.e., two weeks have passed after receiving the second dose of either the Moderna or Pfizer MRNA vaccines or the single-dose Johnson & Johnson vaccine). Additionally, if six months have passed since completing the Moderna or Pfizer series or two months have passed since receiving the J & J vaccine, then a booster is also required. Ideally the booster would have been administered at least two weeks prior to coming to Anderson Ranch.

We have established a Business Safety Plan with added layers of precaution that prioritizes the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.

Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.

COVID-19 Safety Plan

Anderson Ranch is closely following local and national health and safety guidance. At this time, Anderson Ranch visitors and public program and event participants are not required to show proof of vaccination. Studio and artistic program participants ages 13 and up will be required to show proof of Covid-19 vaccination.
Studio and artistic program participants are required to show proof that they have received the complete Covid-19 vaccine (i.e., two weeks have passed after receiving the second dose of either the Moderna or Pfizer MRNA vaccines or the single-dose Johnson & Johnson vaccine). Additionally, if six months have passed since completing the Moderna or Pfizer series or two months have passed since receiving the J & J vaccine, then a booster is also required. Ideally the booster would have been administered at least two weeks prior to coming to Anderson Ranch. Click here for additional health and safety information.

Learn More

You Might Also Be Interested In

  • O

    Open to All

    Students of any skill and knowledge level.

Jun 27 - Jul 1, 2022
9AM-5PM

Practical Screenprinting for All Occasions

Luther Davis

Tuition $1,050
Code R0404-22

Screen printing, also known as silkscreen or serigraphy, is one of the most adaptable print processes and the results are dynamic and multi-layered. This exploratory workshop delves into the medium of screen printing and encourages students to experiment by printing on a wide variety of materials, creating unexpected and tactile results. Paper, canvas, wood, metal, glass and most plastics can be printed utilizing screen printing. Students learn various methods to expedite their concepts to finished products. Special attention is placed on individual needs, whether a beginner or experienced printer.

Learn More

  • III

    Level III

    Students have significant experience in the print medium that is the subject of the workshop.

  • IV

    Level IV

    Students have advanced skill and knowledge of the printmaking fields. Students are highly motivated and self­-directed, have a minimum of five years experience in their field, and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.

Jul 4 - 8, 2022
9AM-5PM

Master Class:
Sustaining Creative Strategies in Printmaking

Elliott Hundley, Brian Shure

Tuition $1,200
Code R0505-22

This unique opportunity for advanced printmakers creates a forum for dialog about how to curate your practice to push your work into a strong direction. Artists are invited to work on self-directed projects in the printmaking area of their choosing while receiving technical support in tandem with critical feedback. Opportunities for technical demonstrations, group critique and one-on-one mentorship make up the structure of this Master Class. *Brian Shure will be present for the entire duration of the workshop; Elliott Hundley will join daily from 1-5PM. To attend a Master Class workshop, a portfolio review is due by Friday, February 11th, 2022. Instructions on how to submit your portfolio are as follows: Submit digital images of your work in one single PDF (as opposed to individual JPG attachments) via email directly to the Artistic Director of Painting, Drawing and Printmaking, Liz Ferrill at lferrill@andersonranch.org The single PDF must be less than 10 MB to be considered. Include 10 images of 10 works with image identification that lists the title, media, dimensions and year of each image. While not required, it is helpful to see an artist statement addressing the images you send. Include “Advanced Portfolio Review” in the subject line of your email, as well as the title of the workshop for which you are applying. Please provide a phone number where you can be reached and a link to your website. Submissions that do not follow the requested directions will not be reviewed. To be considered, we must receive portfolios by 5 PM MST Friday, Feb. 11th, 2022. If we receive your materials after Feb. 11th, you will be considered on a space-available basis. We will email you regarding your status on or before Friday, Feb. 25, 2022. If you are accepted, a deposit of $500 will be required within one week of notification of acceptance to hold your place. Housing will be assigned on a space-available basis upon enrollment.

Learn More

  • O

    Open to All

    Students of any skill and knowledge level.

Jul 11, 2022
10AM-4PM

Critical Dialog:
What’s so Real About Photorealism?

Anna Katz, Marilyn Minter, John M. Valadez

Tuition $500
Code A0601-22

CLICK HERE TO REGISTER Photorealism involves painstaking emulation, by hand and primarily in paint, of the surface qualities of photographic images. When Photorealism emerged in the late 1960s in Europe and the United States, it was an heir to Pop, owing to its typically banal subjects and snapshot aesthetics, and a cousin of Minimalism, sharing a cool affectlessless and machinic finish. Its anomaly was its commitment to the medium of painting, at the moment of conceptual art’s rise, and further to the realist tradition, in the ceaseless wake of abstraction in the 20thcentury. More recently, artists working in a photorealist idiom have provoked the question of the status of the photograph in contemporary art and in broader cultural understandings of truth and fact. This Critical Dialog program seeks to reexamine Photorealism and to trace its lineages in art of the present day—lineages that have zigged and zagged as the status of the photograph has undergone radical shifts and re-imaginings in the realms of fine art, technology, and everyday life. Topics include trompe l'oeil; the pose; representation of people of historically marginalized identities; visual codes of taste and class; and the permeation of personal cameras in everyday life.

Learn More

Thank you for subscribing to our newsletter.

Tell us what you're interested in!