Painting & Drawing
Code: D0915-22
-
IV
Level IV
Students have advanced skill and knowledge of painting and drawing. Students are highly motivated and self-directed, have a minimum of five years experience in their field and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.
Master Class
Advanced Painting: Making and Dialog
Aug 1 - 5, 2022
9AM - 5PM
Concept
This advanced painting workshop is for students working in any medium, designed to be a catalyst for making art within a broadly-defined painting language. Students work on individual projects while digging into experimental processes that boost the forward momentum of their work. Presentations, prompts and critiques support purposeful discussions addressing how your work is communicating. Questions and topics covered: How can time be captured through color? What is tactile knowledge? Who are your art ancestors and what is their role in the building of your visual language? What and how does your work communicate within the context of contemporary art?
To attend a Master Class workshop, a portfolio review is due by Friday, February 11th, 2022. Instructions on how to submit your portfolio are as follows:
- Submit digital images of your work in one single PDF (as opposed to individual JPG attachments) via email directly to the Artistic Director of Painting, Drawing and Printmaking, Liz Ferrill at [email protected]
- The single PDF must be less than 10 MB to be considered.
- Include 10 images of 10 works with image identification that lists the title, media, dimensions and year of each image.
- While not required, it is helpful to see an artist statement addressing the images you send.
- Include “Advanced Portfolio Review” in the subject line of your email, as well as the title of the workshop for which you are applying.
- Please provide a phone number where you can be reached and a link to your website.
Submissions that do not follow the requested directions will not be reviewed. To be considered, we must receive portfolios by 5 PM MST Friday, Feb. 11th, 2022. If we receive your materials after Feb. 11th, you will be considered on a space-available basis.
We will email you regarding your status on or before Friday, Feb. 25, 2022. If you are accepted, a deposit of $500 will be required within one week of notification of acceptance to hold your place. Housing will be assigned on a space-available basis upon enrollment.
Media & Techniques
Work in your preferred painting medium (oil, watercolor, gouache, collage, acrylic, etc.) as well as new materials, bring a digital portfolio of current studio work
Supply ListFaculty
Linda Geary
Linda Geary is Professor/Chair of Painting at California College of the Arts in San Francisco. Her book, Studio Visit, is a compilation of 100 studio visit conversations with a focus on collage and color, including an essay by poet Norma Cole. Linda is a painter who lives and works in Oakland, CA.
Linda Geary, Root Element, detail
Join Waitlist for Master Class
Advanced Painting: Making and Dialog
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Painting & Drawing
Make, reflect, consider, engage—these are all critical elements of the Painting and Drawing workshops at Anderson Ranch. Our exceptional workshops combine focused, hands-on art making with critical feedback for artists of all levels. Painting and Drawing guest faculty are phenomenal artists and educators with experience supporting students by offering technical knowledge and encouragement.
The bright, natural light of the Wyly Painting and Drawing Building provides an inspiring environment where students can explore and expand their artistic practice. Our facilities are equipped with individual worktables, wall space, easels, rolling palettes, odorless solvents, a wide range of hand tools, computer access with Adobe software, wifi, printing, scanning, and projection capabilities. Spend a week here— or several—and engage in a variety of activities that will fuel your practice throughout the year.
Workshop Details
Workshop Supplies
For general information about studio access, shipping, and more, please visit our info page.
If you have any questions regarding your supplies for your workshop, please contact Lindsey Yeager, [email protected].
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In
-
O
Open to All
Students of any skill and knowledge level.
Jun 2 - 6, 2025
9AM-5PM
Painting: Encompassing Wonder
Jody Guralnick
Tuition $1,415
Code D0101-25
Observe nature with fresh eyes, letting time slow to examine the wild world closely. Investigate nature firsthand, using magnifying loupes to inspect subjects, contemplating life, growth, decay, and regeneration. Using the natural world as source material, we read, discuss, observe, and embark on a painting journey. The emphasis of this workshop is thinking about painting as process and movement rather than fixed form, depicting nature with paint without needing to reproduce observations in a literal way. Melding abstraction and representation, students discover and produce depth, allowing an image to float to the surface. We learn to develop form, mix color, and consider composition, all inspired by what we see around us.
-
O
Open to All
Students of any skill and knowledge level.
Jun 2 - 6, 2025
9AM-5PM
Portrait and Figure in Watercolor: Curiosity and Awareness
Brian Shure
Tuition $1,415
Code D0103-25
Bring the face and figure to life with the transparency and immediacy of watercolor. This extremely expressive media can also be highly controlled. We work from life as well as photographic sources in this deceivingly direct paint medium. With daily demonstrations and a series of simple and accessible studio exercises, students develop skills controlling resoluble colors, reserving and pulling back highlights and maintaining brilliant and delicate tones that are unique to water-based media. We focus on capturing the essence of the portrait and figure through taking time to look and record what we see.
-
O
Open to All
Students of any skill and knowledge level.
Jun 2 - 6, 2025
9AM-5PM
Works on Paper: Collage and Gouache
Amaryllis R. Flowers
Tuition $1,415
Code D0102-25
Students explore mixed media as they create works on paper in this dynamic and experimental workshop for students of all levels. The beauty of gouache and its potential for vibrancy and rich, matte tones is introduced and put into practice. Paper and its seductive surface quality and versatility as a substrate is used in a variety of ways to create collaged and multilayered imagery. Students produce multiple works on paper and discover new skills through prompts and exposure to materials, with both abstraction and the figure as options for subject matter.