Printmaking
Code: R1514-21
-
O
Open to All
Students of any skill and knowledge level, but have some computer skills.
Mixed Media Printmaking
Sep 13 - 24, 2021
9AM-5PM
Concept
Take an exploratory approach in this exciting printmaking workshop that introduces a variety of relief, intaglio and monotype techniques, each building on the last with an emphasis on experimentation. Students investigate uncommon methods along with traditional techniques, working in combination with stencils, color viscosity, layered prints and collage. Combining processes to create dynamic and rich composition and surface textures can facilitate the emerging of a rich new visual language. Our goal is to expand image vocabulary, build technical knowledge and maximize the possibilities with printmaking.
Media & Techniques
Drypoint, relief, collagraph, monotype, laser-cut stencils, color viscosity, layered prints, collage
Supply ListFaculty
Laura Berman
Laura Crehuet Berman is a native of Barcelona, Spain, where her love for pattern, design and bold colors originated. She has exhibited in over 150 exhibitions at galleries and museums internationally and her prints are widely collected. Berman is currently a Professor at Kansas City Art Institute.
Laura Berman, Wonders: Sea 16 - detail
Join Waitlist for Mixed Media Printmaking
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Printmaking
Discover the exciting possibilities of this historically rooted medium. Our Printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer printmaking workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.
Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga, and lithography. Students have access to individual work tables, wall space, rags, hand tools, computers with Adobe software, wifi, printing, scanning, and projection capabilities.
At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.
Workshop Details
Workshop Supplies
For general information about studio access, shipping, and more, please visit our info page.
If you have any questions regarding your supplies for your workshop, please contact Lindsey Yeager, [email protected].
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In
-
O
Open to All
Students of any skill and knowledge level.
Jun 16 - 20, 2025
9AM-5PM
Monotype on the Edge
Sarah Smelser
Tuition $1,345
Code R0303-25
Designed for the monotype-curious, this workshop explores an alternative approach to making unique, one-of-a-kind prints using the vocabulary of drawing, hard edges, transparency, and layered passages of color. We create complex, engaging works that can stand on their own or initiate collages, mixed media works, and printstallation. Enjoy printing both by hand and on the press, working intuitively or intentionally, to develop a body of related works on Asian paper. Demonstrations include trace monotype, stencil printing, counter-proofing, ghost printing, ink modification, seamless flats, and smooth blend rolls.
-
II
Level II
Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.
-
III
Level III
Students have significant experience in the print medium that is the subject of the workshop.
Jun 23 - 27, 2025
9AM-5PM
Layering Color and Light: Woodcut and Monoprint
Jean Gumpper
Tuition $1,345
Code R0404-25
This rigorous, engaging printmaking workshop focuses on monoprint and woodcut methods with an emphasis on layering color to produce luminous results. We begin with observational studies from the natural world, and explore trace, stencil, painterly, and multiple plate monotype methods. Woodcut techniques are then added to layer transparent and opaque color to create a radiant sense of space. We make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine printing using a woodcut matrix with a variety of monoprint methods.
-
II
Level II
Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.
-
III
Level III
Students have significant experience in the print medium that is the subject of the workshop.
Jun 30 - Jul 4, 2025
9AM-5PM
Woodcut and Monoprint with Digital Applications
Jean Gumpper
Tuition $1,345
Code R0505-25
This rigorous, engaging, printmaking workshop combines monoprint and woodcut processes with a digital component. We incorporate laser-cut stencils and wood blocks together with painterly and carved marks to create images. We begin with observational studies from the natural world and explore multiple plate monotype methods. Woodcut techniques including laser-cut blocks are then added to layer transparent and opaque color. We make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine multiple matrices in many ways.