Printmaking
Code: R1414-26
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O
Open to All
Students of any skill and knowledge level.
Oil and Water: Collagraph, Stencils, and Monoprint
Aug 31 - Sep 4, 2026
9 AM - 5 PM
Tuition: $1,250.00
Course Fee: $295.00
Registration Fee: $45.00
Concept
This versatile and dynamic monoprint workshop utilizes both water-based and oil-based media, printing from collagraph plates and stencils. Participants create textured plates by building up varied surfaces with acrylic mediums and more traditional, drypoint Plexiglas plates, combined with collage materials and Duralar stencil shapes. These inspiring techniques work well with both abstract and representational imagery, adding new methods and visual effects to the printmaking practice. Each student is guided individually by the instructor, and offers group demos daily.
View All Printmaking Workshops
Media & Techniques
Monoprint, collagraph, stencils, oil-based and water-based processes
Faculty
Sue Oehme
Sue Oehme is the Master Printer of Oehme Graphics in Steamboat Springs. Before launching OG, she was the Director/ Master Printer at Riverhouse Editions. Oehme has taught print workshops at institutions across the country including University of Denver, Boston University, Scripps College, Anderson Ranch Arts Center, Women’s Studio Workshop, Brandeis University, and Northwestern University.
Sue Oehme, Peek Inside 16
Tuition: $1,250.00
Course Fee: $295.00
Registration Fee: $45.00
Join Waitlist for Oil and Water: Collagraph, Stencils, and Monoprint
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Workshop Details
Workshop Supplies
For general information about studio access, shipping, and more, please visit our info page.
If you have any questions regarding your supplies for your workshop, please contact Lindsey Yeager, [email protected].
Provided by Anderson Ranch
Equipment
- Brayers
- Computer
- Containers
- Cutting mats
- Drills
- Emulsion remover
- Gamsol
- Glass top surfaces
- Gloves
- Hot plates
- Ink knives
- Irons
- Large-format transparency printer
- Laser printer
- Newsprint
- Paper cutter
- Paper towels
- Push pins
- Rags
- Razor scrapers
- Rubbing alcohol
- Rulers
- Scissors
- Soaking trays
- Soysolv
- Sponges
- Squeegees
- Vegetable oil
- Work tables
Supplies
- Mat board pieces
- Akua plexi plates
- Scissors
- Pencils
- Gum Arabic
- Tarlatan
- Ink modifiers (ex: raw linseed oil)
- Etching needles
- Assorted oil-based inks
What you need to bring
Required Tools and Supplies
- Prohibited supplies: power tools, torches, spray paint, encaustic, turpentine, resin, plastisol, any solvent that isn’t low VOC
- 5+ sheets of Arches 88 paper, 30" x 40", can be town down to 6-8 equal-sized pieces for ease of transport**
- 5+ sheets of BFK Rives paper, 30" x 40", can be town down to 6-8 equal-sized pieces for ease of transport**
- Other miscellaneous papers (Asian or Western, Hannemühle works well)
- High quality tube watercolors**
- Any other tools to manipulate the inks and paints
- Textural materials such as foliage, lace, burlap, etc.
- X-Acto knife**
Optional Tools and Supplies
- White (or light colored) t-shirt for screen printing**
- Old unfinished prints to add to
- Ideas/inspirations
- Favorite brushes**
* Available for purchase in the studio.
** Available to purchase at the Anderson Ranch ArtWorks Store for 10% off. The store aims to stock comparable items, though specific products from the supply list may vary based on inventory.
Learn more about shipping supplies and artwork to and from the Ranch in the Student Handbook.
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Course fees includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of course fees for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Printmaking
Printmaking Studio in Aspen / Snowmass
The Printmaking Studio at Anderson Ranch Arts Center, located in Snowmass Village near Aspen, Colorado, is a professional fine art print studio designed to support immersive studio practice across traditional and contemporary print processes. The facility offers dedicated press areas, specialized equipment, and technical infrastructure for artists working in intaglio, relief, monotype, lithography, and experimental printmaking techniques.
Interested in enrolling? Explore the full schedule of Printmaking workshops at Anderson Ranch.
Discover the exciting possibilities of this historically rooted medium. Our Printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer printmaking workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.
Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga, and lithography. Students have access to individual work tables, wall space, rags, hand tools, computers with Adobe software, wifi, printing, scanning, and projection capabilities.
At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.
Don’t know where to start? View the skill levels for Printmaking workshops.
Anderson Ranch Arts Center is a historic, rustic campus that features gravel pathways and uneven terrain that may pose challenges for individuals using wheelchairs or other mobility devices. We strive to provide accommodations to ensure all guests can access and enjoy our programs and facilities. With advance notice, our staff can offer personalized assistance and coordinate access to studios and campus spaces. For questions or to request an accommodation, please contact us at (970) 923-3181 or [email protected].
Anderson Ranch is happy to extend a 20% tuition discount* for summer one- or two-week adult printmaking workshops for SGC International members at the advocate membership level or above. Please email [email protected] with your SGCI membership information prior to registering and we will send you a promo code to complete registration with your discount applied. You are also welcome to call 970-924-5089 to register after verifying your membership with us. **Please note this discount must be approved prior to registering and cannot be applied retroactively. SGCI discount does not apply to Advanced Mentored Studies programs or Destination Workshops, nor can it be combined with any other discount, scholarship or special offer.
Related Events
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
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Level I
Students have very limited experience or none at all. Classes usually start with a full day of basic instruction.
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Level II
Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.
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Level III
Students have significant experience in the print medium that is the subject of the workshop.
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Level II
Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.
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Level III
Students have significant experience in the print medium that is the subject of the workshop.
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9 AM - 5 PM
Experimental Monoprint with Laser Cutters
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Code R1313-26
Explore a playful approach to making layered, hand-pulled monoprints through this fun, experimental workshop. We learn various ways to bring technology into our art-making practice, using the laser cutter as a flexible tool throughout the process. We discover how to turn drawings into laser-cut paper stencils, which we then use both in the printing process and as collage elements. We conclude by cutting our plexi plates into jigsaw-style pieces for more printing options. Our goals are to increase skills, exchange ideas, and expand our creative practices.
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III
Level III
Students have significant experience in the print medium that is the subject of the workshop.
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IV
Level IV
Students have advanced skill and knowledge of the printmaking fields. Students are highly motivated and self-directed, have a minimum of five years experience in their field, and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.
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Master Class
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Code R1515-26
Master Class In this two-week workshop, advanced printmakers explore direct mark-making on ball-grained aluminum plates as well as photographic and hand-drawn imagery with film positives on pre-sensitized photo plates. Developing an understanding of efficient methods for processing and printing are the foundation to producing consistent lithographic editions. Prior background in lithography or extensive work in other printmaking media will serve as the basis for image preparation, plate processing and printing techniques. This workshop does not require that students be proficient in lithography, but they must have significant experience in the field of printmaking.