Painting & Drawing
Code: D0707-21
-
P
INTENSIVES
Multi-week programs designed for artists of varying skill levels to immerse themselves in the studio practice of their choice while working alongside established faculty.
-
IV
Level IV
Students have advanced skill and knowledge of painting and drawing. Students are highly motivated and self-directed, have a minimum of five years experience in their field and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.
Portraiture and Figuration
Jul 19 - 23, 2021
9AM-5PM
Concept
Engage in critical group dialogue and critiques to hone the fundamental aspects of your work and deepen your understanding of contemporary art practice. In this master workshop for advanced painters and photographers, participants produce work at their own pace, pausing in the mornings for discussion with the instructors and peers. Topics for discussion are wide-ranging and in-depth with subjects including technique, concept, approach and context. Students work independently and set their own studio goals for the week. This course strongly encourages a broad interpretation of painting and photography and welcomes artists working in installation and/or incorporating three-dimensional elements.
Please note: Instructors teach mornings only from 9am – noon. Afternoons are dedicated to independent studio time.
Portfolio Review Required:
Thank you for your interest in our Level IV painting workshops at Anderson Ranch Arts Center. Since a portfolio review is required, the instructions on how to submit your portfolio are provided here.
In order to conduct the required portfolio review, we will need to see digital images of your work in one single PDF (as opposed to individual JPG attachments) sent directly to Anderson Ranch Studio Coordinator, Paul Keefe, via email at [email protected]. Please include 10 images of 10 works. Additionally, please include an image identification list that includes: title, media, dimensions and year. While not required, it is helpful to see an artist statement addressing the images you send. Lastly, please provide a phone number where you can be reached and a link to your website. These materials must be submitted as a single PDF (less than 10 MB) to be considered.
Please include “Advanced Portfolio Review” in the subject line of your email, as well as the title of the workshop for which you are applying. Submissions that do not follow the requested directions will not be reviewed. To be considered, Paul Keefe must receive portfolios by 5 PM MST Friday, Feb. 5, 2021. We will email you regarding your status on or before Friday, Feb. 19, 2021. If you are accepted, a deposit of $500 will be required within one week of notification of acceptance to hold your place. Housing will be assigned on a space-available basis upon enrollment.
Please note, if we receive your materials after Feb. 5, you will be considered on a space-available basis.
Thank you for your interest in our advanced painting workshops. Please feel free to contact Liz Ferrill with any questions at [email protected]
Media & Techniques
This workshop is available to painters and photographers; any materials needed to make your work.
Supply ListFaculty
Christina Quarles
Christina Quarles (b. 1985) is a Los Angeles-based artist, whose practice works to dismantle assumptions and ingrained beliefs surrounding identity and the human figure. Quarles received her Bachelor’s from Hampshire College in 2007. In 2016 she received her MFA in painting from Yale School of Art and attended The Skowhegan Residency that same year. Quarles’ work has been featured in numerous institutional exhibition including “Christina Quarles,” at The MCA Chicago (2021), “Collapsed Time” at the Hamburger Bahnhof in Berlin (2023), “The Milk of Dreams,” at the 59th International Art Exhibition at La Biennale di Venezia, curated by Cecilia Alemani ,and in ‘manifesto of fragility,’ the main exhibition of the 16th Lyon Biennale of Contemporary Art, curated by Sam Bardaouil and Till Fellrath.
Catherine Opie
Catherine Opie is an artist working with photography, film, collage, and ceramics. Her work has been exhibited extensively throughout the United States, Europe, and Japan, including a mid-career survey at the Solomon R. Guggenheim Museum in New York. Catherine was a recipient of the Guggenheim Fellowship in 2019, The Smithsonian’s Archives of American Art Medal in 2016, and a United States Artists Fellowship in 2006. She received a BFA from the San Francisco Art Institute and an MFA from the California Institute of the Arts, and was professor of photography at the University of California, Los Angeles.
Helen Molesworth
Helen Molesworth is a writer, podcaster, and curator based in Los Angeles and Provincetown. In 2023, Phaidon published Open Questions, Thirty Years of Writing About Art, an anthology of her essays. Her podcasts include Death of an Artist, a 6-part podcast about the intertwined fates of Carl Andre and Ana Mendieta, and the inaugural season of Recording Artists with The Getty. She is also the host of DIALOGUES, a podcast that features interviews with artists, writers, fashion designers, and filmmakers hosted by the David Zwirner Gallery. Her major museum exhibitions include One Day at a Time: Manny Farber and Termite Art, Leap Before You Look: Black Mountain College 1933–1957, Dance/Draw, This Will Have Been: Art, Love & Politics in the 1980s, Part Object Part Sculpture, and Work Ethic. She has organized one-person exhibitions of Ruth Asawa, Moyra Davey, Noah Davis, Raoul De Keyser, Louise Lawler, Steve Locke, Anna Maria Maiolino, Josiah McElheny, Kerry James Marshall, Catherine Opie, Amy Sillman, and Luc Tuymans. She is the author of numerous catalogue essays, and her writing has appeared in Artforum, Art Journal, Documents, and October. The recipient of the 2011 Bard Center for Curatorial Studies Award for Curatorial Excellence, in 2021, she received a Guggenheim Fellowship, and in 2022, she was awarded The Clark Art Writing Prize. Photo by Catherine Opie.
Christina Quarles, I Think Yew've Made Yer Point Now (image credit: © Christina Quarles, Courtesy Regen Projects, Los Angeles and Pilar Corrias Gallery, London)
Join Waitlist for Portraiture and Figuration
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Painting & Drawing
Make, reflect, consider, engage—these are all critical elements of the Painting and Drawing workshops at Anderson Ranch. Our exceptional workshops combine focused, hands-on art making with critical feedback for artists of all levels. Painting and Drawing guest faculty are phenomenal artists and educators with experience supporting students by offering technical knowledge and encouragement.
The bright, natural light of the Wyly Painting and Drawing Building provides an inspiring environment where students can explore and expand their artistic practice. Our facilities are equipped with individual worktables, wall space, easels, rolling palettes, odorless solvents, a wide range of hand tools, computer access with Adobe software, wifi, printing, scanning, and projection capabilities. Spend a week here— or several—and engage in a variety of activities that will fuel your practice throughout the year.
Workshop Details
Workshop Supplies
For general information about studio access, shipping, and more, please visit our info page.
If you have any questions regarding your supplies for your workshop, please contact Lindsey Yeager, [email protected].
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In
-
O
Open to All
Students of any skill and knowledge level.
Jun 2 - 6, 2025
9AM-5PM
Works on Paper: Collage and Gouache
Amaryllis R. Flowers
Tuition $1,415
Code D0102-25
Students explore mixed media as they create works on paper in this dynamic and experimental workshop for students of all levels. The beauty of gouache and its potential for vibrancy and rich, matte tones is introduced and put into practice. Paper and its seductive surface quality and versatility as a substrate is used in a variety of ways to create collaged and multilayered imagery. Students produce multiple works on paper and discover new skills through prompts and exposure to materials, with both abstraction and the figure as options for subject matter.
-
O
Open to All
Students of any skill and knowledge level.
Jun 2 - 6, 2025
9AM-5PM
Portrait and Figure in Watercolor: Curiosity and Awareness
Brian Shure
Tuition $1,415
Code D0103-25
Bring the face and figure to life with the transparency and immediacy of watercolor. This extremely expressive media can also be highly controlled. We work from life as well as photographic sources in this deceivingly direct paint medium. With daily demonstrations and a series of simple and accessible studio exercises, students develop skills controlling resoluble colors, reserving and pulling back highlights and maintaining brilliant and delicate tones that are unique to water-based media. We focus on capturing the essence of the portrait and figure through taking time to look and record what we see.
-
O
Open to All
Students of any skill and knowledge level.
Jun 2 - 6, 2025
9AM-5PM
Painting: Encompassing Wonder
Jody Guralnick
Tuition $1,415
Code D0101-25
Observe nature with fresh eyes, letting time slow to examine the wild world closely. Investigate nature firsthand, using magnifying loupes to inspect subjects, contemplating life, growth, decay, and regeneration. Using the natural world as source material, we read, discuss, observe, and embark on a painting journey. The emphasis of this workshop is thinking about painting as process and movement rather than fixed form, depicting nature with paint without needing to reproduce observations in a literal way. Melding abstraction and representation, students discover and produce depth, allowing an image to float to the surface. We learn to develop form, mix color, and consider composition, all inspired by what we see around us.