Post-Photographic Processes

Expand your collage techniques with digital and traditional processes to create simple and layered composite images and constructions. Combine painting, drawing, printmaking, photography, wood, paper and found or fabricated imagery to tell your story. Students use the laser cutter to cut or engrave paper or other materials and push their imagery further by utilizing the capabilities of the UV printer. Demonstrations include collage, nontoxic resin, laser engraved imagery and cutting, and transfer techniques. Participants will have the freedom to explore individual projects with the assistance of the fabrication lab assistants.

Anderson Ranch’s January Studio Sessions provide artists the opportunity to work on independent projects while receiving mentoring and critique sessions with Anderson Ranch artistic staff. Each participant receives an assigned studio space, orientation, and access to equipment, as well as some morning group demonstrations and / or critiques. This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition. IMPORTANT DETAILS: Students will be responsible for all material costs associated with their projects. Participants who register for multiple consecutive weeks will gain access to the studios on weekends (with the exception of the machine rooms due to safety constraints.) Private dorm rooms are available at Anderson Ranch for one, two or three weeks for an additional fee; please inquire for details and availability. Applicants must submit project proposals or portfolios for approval. Contact Liz Ferrill to apply: lferrill@andersonranch.org

This class offers an engaging exploration of the synthesis between two distinct art forms: photography and painting. Students discover transfer techniques that integrate photographic images and text directly onto painted surfaces, resulting in intriguingly layered works. Participants explore traditional collage and photomontage, and master new methods that allow for opaque and translucent layers. Reductive methods, such as sanding and scraping, reveal the history of earlier photographic layers and suggest an archaeological approach to image development. The workshop emphasizes experimentation and exploratory approaches. Students produce a portfolio of physical examples of all techniques.