Printmaking
Code: R1111-26
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Open to All
Students of any skill and knowledge level.
Screen Print X Collage
Aug 10 - 14, 2026
9 AM - 5 PM
Concept
Explore the dynamic intersection of screen printing and collage through unhinged silkscreens, layered imagery, and texture. Participants begin by creating bold screen printed works using hand-drawn or photo-based methods. Prints are then transformed through cutting, tearing, and pasting onto new substrates such as paper, vinyl, or found materials. This hands-on workshop welcomes all skill levels and emphasizes intuitive play, composition, and storytelling through composition and negative space. Demonstrations, open studio time, group critique, and one-on-one guidance support students in developing unique works that merge screen print and collage into vibrant hybrid artworks.
View All Printmaking Workshops
Media & Techniques
Screen print, monotype sillkscreen printing using silkscreen(s), photo-based and hand-drawn imagery, watercolor and mixed-based techniques.
Faculty
John Alleyne
John Alleyne is a Barbados native based in New Orleans, LA. His paintings and monoprints are rooted in exploring concepts of freedom and memory, connecting his lived experience with an intuitive, experimental process of silkscreen mark-making. He received his MFA in Painting and Drawing from Louisiana State University. Alleyne is an Assistant Professor of Art at Southern University and A&M College.
John Alleyne, I Am My Brother's Keeper
Workshop Details>
Workshop Supplies
For general information about studio access, shipping, and more, please visit our info page.
If you have any questions regarding your supplies for your workshop, please contact Lindsey Yeager, [email protected].
Provided by Anderson Ranch
Equipment
- Brayers
- Computer
- Containers
- Cutting mats
- Drills
- Emulsion remover
- Gamsol
- Glass top surfaces
- Gloves
- Hot plates
- Ink knives
- Irons
- Large-format transparency printer
- Laser printer
- Newsprint
- Paper cutter
- Paper towels
- Push pins
- Rags
- Razor scrapers
- Rubbing alcohol
- Rulers
- Scissors
- Soaking trays
- Soysolv
- Sponges
- Squeegees
- Vegetable oil
- Work tables
Supplies
- Screen ink, assorted colors
- Acetate
- Inkjet transparency
- Spray bottles
What you need to bring
Required Tools and Supplies
- Prohibited supplies: power tools, torches, spray paint, encaustic, turpentine, resin, plastisol, any solvent that isn’t low VOC
- 1 roll of Painter’s tape (white or blue)**
- Canson XL Series Bristol Pad, Heavyweight Paper for Ink, Marker or Pencil, Smooth Finish, Fold Over, 100 Pound, 19 x 24 Inch, Bright White, 25 Sheets
Optional Tools and Supplies
- White (or light colored) t-shirt for screen printing**
- Fabric, vinyl, or other found material suitable for printing
* Available for purchase in the studio.
** Available to purchase at the Anderson Ranch ArtWorks Store for 10% off. The store aims to stock comparable items, though specific products from the supply list may vary based on inventory.
Learn more about shipping supplies and artwork to and from the Ranch in the Student Handbook.
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Course fees includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of course fees for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Printmaking>
Printmaking Studio in Aspen / Snowmass
The Printmaking Studio at Anderson Ranch Arts Center, located in Snowmass Village near Aspen, Colorado, is a professional fine art print studio designed to support immersive studio practice across traditional and contemporary print processes. The facility offers dedicated press areas, specialized equipment, and technical infrastructure for artists working in intaglio, relief, monotype, lithography, and experimental printmaking techniques.
Interested in enrolling? Explore the full schedule of Printmaking workshops at Anderson Ranch.
Discover the exciting possibilities of this historically rooted medium. Our Printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer printmaking workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.
Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga, and lithography. Students have access to individual work tables, wall space, rags, hand tools, computers with Adobe software, wifi, printing, scanning, and projection capabilities.
At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.
Don’t know where to start? View the skill levels for Printmaking workshops.
Anderson Ranch Arts Center is a historic, rustic campus that features gravel pathways and uneven terrain that may pose challenges for individuals using wheelchairs or other mobility devices. We strive to provide accommodations to ensure all guests can access and enjoy our programs and facilities. With advance notice, our staff can offer personalized assistance and coordinate access to studios and campus spaces. For questions or to request an accommodation, please contact us at (970) 923-3181 or [email protected].

Anderson Ranch is happy to extend a 20% tuition discount* for summer one- or two-week adult printmaking workshops for SGC International members at the advocate membership level or above. Please email [email protected] with your SGCI membership information prior to registering and we will send you a promo code to complete registration with your discount applied. You are also welcome to call 970-924-5089 to register after verifying your membership with us. **Please note this discount must be approved prior to registering and cannot be applied retroactively. SGCI discount does not apply to Advanced Mentored Studies programs or Destination Workshops, nor can it be combined with any other discount, scholarship or special offer.
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Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
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Level I
Students have very limited experience or none at all. Classes usually start with a full day of basic instruction.
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Level II
Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.
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Level III
Students have significant experience in the print medium that is the subject of the workshop.
Aug 17 - 21, 2026
9 AM - 5 PM
Capabilities and Experimentation in Handmade Paper
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Code R1212-26
This five-day course investigates the possibilities of handmade paper. Focusing on techniques working with cotton fiber of various lengths, students learn basic sheet forming and its science and history, two-dimensional applications of additive wet paper pulp techniques, developing layered imagery through cut stencils and hand applied pulp, blowout techniques, and pigmenting. Students learn to apply this knowledge in combination with traditional printmaking techniques, such as combining wet paper pulp imagery with watercolor monoprints. Students also learn basic laminate casting potentials.
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Level II
Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.
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Level III
Students have significant experience in the print medium that is the subject of the workshop.
Aug 24 - 28, 2026
9 AM - 5 PM
Experimental Monoprint with Laser Cutters
Lari Gibbons
Tuition $1,250
Code R1313-26
Explore a playful approach to making layered, hand-pulled monoprints through this fun, experimental workshop. We learn various ways to bring technology into our art-making practice, using the laser cutter as a flexible tool throughout the process. We discover how to turn drawings into laser-cut paper stencils, which we then use both in the printing process and as collage elements. We conclude by cutting our plexi plates into jigsaw-style pieces for more printing options. Our goals are to increase skills, exchange ideas, and expand our creative practices.
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Open to All
Students of any skill and knowledge level.
Aug 31 - Sep 4, 2026
9 AM - 5 PM
Oil and Water: Collagraph, Stencils, and Monoprint
Sue Oehme
Tuition $1,250
Code R1414-26
This versatile and dynamic monoprint workshop utilizes both water-based and oil-based media, printing from collagraph plates and stencils. Participants create textured plates by building up varied surfaces with acrylic mediums and more traditional, drypoint Plexiglas plates, combined with collage materials and Duralar stencil shapes. These inspiring techniques work well with both abstract and representational imagery, adding new methods and visual effects to the printmaking practice. Each student is guided individually by the instructor, and offers group demos daily.