Painting & Drawing
Code: D1315-21
-
III
Level III
Students have formal training in critical issues of 2-D art making, experience with public critiques and a solid portfolio of their artwork.
The Not-So-Polite Decorative
Aug 30 - Sep 3, 2021
9AM-5PM
Concept
Gleaning inspiration from the polite decorative arts, this class explores fresh avenues in studio practice that result in paintings from the riotous to the subtle. Discover diverse sources and develop skills to make works with wall power. Working with gouache and acrylic, exploit color and format, surface development and texture, modular construction and pattern, as well as rhythm and repetition. Explore tools, materials and supports customized to concept. Imagistic subject matter may be derived from nature, iconography from pop culture, or the thoroughly abstract.
Media
Gouache and acrylic paint, over painting in oil is an option, works on paper and larger pieces, explore tools and materials customized to your needs, supports and grounds. Students may work on panels, stretched canvas or grids of premade rectangles, shaped or assembled sculptural surfaces may be explored.
Supply ListFaculty
Holly Hughes
Holly Hughes is a frequent Ranch faculty member and professor emeritus of painting at Rhode Island School of Design. Having exhibited nationally and internationally, Holly’s painting has been greatly influenced by both ceramic and printmaking practice and research. She loves “Salon Style” installations—the mixing of these genres on the wall—such as BLAZON created for the Dorsky Museum.
Holly Hughes, Trophy Border - detail
Join Waitlist for The Not-So-Polite Decorative
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Painting & Drawing
Make, reflect, consider, engage—these are all critical elements of the Painting and Drawing workshops at Anderson Ranch. Our exceptional workshops combine focused, hands-on art making with critical feedback for artists of all levels. Painting and Drawing guest faculty are phenomenal artists and educators with experience supporting students by offering technical knowledge and encouragement.
The bright, natural light of the Wyly Painting and Drawing Building provides an inspiring environment where students can explore and expand their artistic practice. Our facilities are equipped with individual worktables, wall space, easels, rolling palettes, odorless solvents, a wide range of hand and power tools, computer access with Adobe software, wi-fi, printing, scanning, and projection capabilities. Spend a week here— or several—and engage in a variety of activities that will fuel your practice throughout the year.
Workshop Details
Supply List
Many of the items you'll need are available in the ArtWorks Store. Please click "View Full Supply List" to see a comprehensive list of items you'll need for this workshop.
Gouache paints in a palette of colors good for mixing.
Oil if desired for over-painting.
Charcoal
Drawing materials like charcoal and kneaded erasers, etc., and/or ink and foam brushes
Kneaded erasers
Drawing materials like charcoal and kneaded erasers, etc., and/or ink and foam brushes
Foam Brushes
Drawing materials like charcoal and kneaded erasers, etc., and/or ink and foam brushes
India Ink
Drawing materials like charcoal and kneaded erasers, etc., and/or ink and foam brushes
Variety of brushes
Variety of knives and painting tools
Rives BFK
Five sheets minimum strong paper at least 22×30” (like Stonehenge or Rives BFK) or large roll of paper if you want to stay on paper for all projects- should be paper good for wet media
Stonehenge
Five sheets minimum strong paper at least 22×30” (like Stonehenge or Rives BFK) or large roll of paper if you want to stay on paper for all projects- should be paper good for wet media
Pre-gessoed painting panels
Pre-gessoed painting panels, stretched canvas, or smaller rectangles that can be used in a grid as desired
Stretched canvas
X-Acto knife
Tracing paper 11 x 14” minimum
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
The Ranch Café meal plan that is included with Room and Board fees strives to provide healthy, creative meals that will nourish your artistic creativity. The meal plan includes 5 days of continental breakfasts that will include a hot offering, 5 lunches with a selection of offerings, and 5 dinners.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In
-
I
Level I
Students have very limited experience or none at all. Classes usually start with a full day of basic instruction.
-
II
Level II
Students have basic knowledge of 2-D art making including form, negative space, value and line.
Jul 29 - Aug 2, 2024
9AM - 5PM
Creating Color, Light and Narrative in Oil
Reginald O'Neal
Tuition $1,225
Code D0918-24
This exploratory oil painting workshop introduces students to a technique-based and conceptual approach to creating an image in this traditional medium. With prompts, demonstrations, and one-on-one instruction, students investigate monochromatic value scale, techniques in oil painting, and working from the figure. The workshop emphasizes color mixing, composition, form, light, and a painting’s potential to tell a story. In addition to focusing on methods and techniques, the class discovers the use of painting to communicate using an exciting visual language.
-
O
Open to All
Students of any skill and knowledge level.
Jul 29 - Aug 2, 2024
9AM - 5PM
Oil Painting: Color, Brush and Mark
Kylie Manning
Tuition $1,225
Code D0917-24
Embark upon an oil painting journey by learning the fundamentals of the medium and finding new ways to develop personal imagery. Emphasis is on developing the lush, nuanced surfaces that oil painting can accomplish, focusing on canvas preparation, underpainting, glazing, color, and brush stroke. Students are encouraged to consider the subject matter, narrative, and many formal concerns that support these concepts. Composition, form, mood, contrast, and surface are also topics to be explored. This rigorous course results in several paintings upon which to build and reflect.
-
III
Level III
Students have formal training in critical issues of 2-D art making, experience with public critiques and a solid portfolio of their artwork.
-
IV
Level IV
Students have advanced skill and knowledge of painting and drawing. Students are highly motivated and self-directed, have a minimum of five years experience in their field and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.
Aug 5 - 9, 2024
9AM - 5PM
Studio Momentum: Strategy and Direction
Wendy White
Tuition $1,225
Code D1020-24
The focus of this advanced painting studio workshop is developing and sustaining direction and momentum within the personal studio practice. Workshop dialog places particular emphasis on conceptual strategies, formal connections, and the ways in which ideas are cultivated and built within each artist’s particular studio parameters. Students gain insight into established contemporary artists’ methods as well as hone their own concept-generating skills through intensive conversation among their peers, independent studio time, and one-on-one and group critiques.