Painting & Drawing
Code: D1633-24
-
III
Level III
Students have formal training in critical issues of 2-D art making, experience with public critiques and a solid portfolio of their artwork.
Yielding to What's in Front of You: Sustained Looking & The Studio Practice
Sep 16 - 20, 2024
9AM - 5PM
Concept
The goal of this painting workshop is to be present in your practice and bring that observational attentiveness to a process that allows for malleability and change. Students come prepared to work on self-directed studio projects, and also bring one completed work to share. Half of each day is spent on independent projects, and the other half exploring prompts, engaging in writing exercises, and participating in group critiques and discussions, as well as individual studio visits. We also spend time figure drawing with a live model, and looking at a range of artworks, to hone our observational muscles and consider critical strategies as painters.
Media
Painting and drawing on canvas and paper
Supply ListFaculty
Christina Quarles
Christina Quarles (b. 1985) is a Los Angeles-based artist, whose practice works to dismantle assumptions and ingrained beliefs surrounding identity and the human figure. Quarles received her Bachelor’s from Hampshire College in 2007. In 2016 she received her MFA in painting from Yale School of Art and attended The Skowhegan Residency that same year. Quarles’ work has been featured in numerous institutional exhibition including “Christina Quarles,” at The MCA Chicago (2021), “Collapsed Time” at the Hamburger Bahnhof in Berlin (2023), “The Milk of Dreams,” at the 59th International Art Exhibition at La Biennale di Venezia, curated by Cecilia Alemani ,and in ‘manifesto of fragility,’ the main exhibition of the 16th Lyon Biennale of Contemporary Art, curated by Sam Bardaouil and Till Fellrath.
Christina Quarles, Try n' Pull tha Rains in on Me, 2022, Image by Thomas Barratt, Courtesy of Christina Quarles, Hauser & Wirth, and Pilar Corrias, London
Join Waitlist for Yielding to What's in Front of You: Sustained Looking & The Studio Practice
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Painting & Drawing
Make, reflect, consider, engage—these are all critical elements of the Painting and Drawing workshops at Anderson Ranch. Our exceptional workshops combine focused, hands-on art making with critical feedback for artists of all levels. Painting and Drawing guest faculty are phenomenal artists and educators with experience supporting students by offering technical knowledge and encouragement.
The bright, natural light of the Wyly Painting and Drawing Building provides an inspiring environment where students can explore and expand their artistic practice. Our facilities are equipped with individual worktables, wall space, easels, rolling palettes, odorless solvents, a wide range of hand tools, computer access with Adobe software, wifi, printing, scanning, and projection capabilities. Spend a week here— or several—and engage in a variety of activities that will fuel your practice throughout the year.
Workshop Details
Supply List
Many of the items you'll need are available in the ArtWorks Store. Please click "View Full Supply List" to see a comprehensive list of items you'll need for this workshop.
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
The Ranch Café meal plan that is included with Room and Board fees strives to provide healthy, creative meals that will nourish your artistic creativity. The meal plan includes 5 days of continental breakfasts that will include a hot offering, 5 lunches with a selection of offerings, and 5 dinners.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In
Jan 6 - 24, 2025
Monday-Friday, 9AM-5PM
Participants may register for one, two, or three weeks
TUITION is $1,110 per week or $3,300 for three weeks
January Studio Sessions: Painting & Drawing
Lindsey Yeager
Tuition $1,110
Code ZSD0101-25
Anderson Ranch’s January Studio Sessions provide artists the opportunity to work on independent projects while receiving mentoring and critique sessions with Anderson Ranch artistic staff. Each participant receives an assigned studio space, orientation and access to equipment, as well as some morning group demonstrations and / or critiques. This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition. *Studios are open 24 hours a day with limited use of equipment due to safety requirements. IMPORTANT DETAILS: Students will be responsible for all material costs associated with their projects. Participants who register for multiple consecutive weeks will gain access to the studios on weekends (with the exception of the machine rooms due to safety constraints.) Private dorm rooms are available at Anderson Ranch for one, two or three weeks for an additional fee; click here to view January 2025 lodging options. TO APPLY: Applicants must submit project proposals or portfolios for approval. Contact Liz Ferrill to apply: [email protected]
-
O
Open to All
Students of any skill and knowledge level.
Jan 6 - 17, 2025
9AM - 5PM
Painting and Photography: An Archaeological Approach to Text and Image
Kate Leonard
Tuition $2,150
Code JANSTU2025P
Two art forms collide in this fascinating look at the intersection of photography and painting. Join us for an engaging exploration of the artistic synthesis between these two distinct art forms. Discover new transfer techniques that integrate photographic images and text directly onto painted surfaces. Using traditional collage and photomontage, master new methods that allow for opaque and translucent layers. Reductive methods such as sanding and scraping reveal the history of earlier photographic layers and suggest an archaeological approach to image development. We begin each morning with a technical demonstration illustrated with visual examples from contemporary art. A range of integrated photographic painting approaches will be introduced on paper, canvas and panels in acrylic. By midweek, our investigations continue to larger artworks tailored to each student.