Sculpture

Code: S0909-23

    • IV

      Level IV

      Students have advanced skills and knowledge of sculpture. Students are highly motivated, have a minimum of five years experience in the field and have multiple portfolios of their artwork. Typical students are academics and professional artists.

Master Class: Advanced Sculpture, Studio and Critique

Jul 31 - Aug 4, 2023

9AM - 5PM

Concept

This advanced sculpture workshop is for students working in any 3-D medium and is designed to be a catalyst for making art within a broadly-defined language. Students work on individual projects while embarking on new approaches to processes that boost the forward momentum of their work. During this rigorous and in-depth workshop, participants ask themselves how work communicates within the context of contemporary art in a critique setting. Each student works at their own pace in the studio, sharing with a community of peers and pushing the content and form of their work. Students are asked to bring a digital portfolio of recent work to share with the class.
Please submit your portfolio by January 27th  for priority consideration. Portfolios will continue to be accepted on a rolling basis.
‏‏‎ ‎

Portfolios will be accepted on a rolling basis. Instructions on how to submit your portfolio are as follows:

  • Submit digital images of your work in one single PDF (as opposed to individual JPG attachments) via email directly to Sculpture Studio Coordinator Teddy Andriese at tandriese@andersonranch.org
  • The single PDF must be less than 10 MB to be considered.
  • Include 5-10 images of your work with image identification that lists the title, media, dimensions and year of each image.
  • While not required, it is helpful to see an artist statement addressing the images you send.
  • Include “Advanced Portfolio Review” in the subject line of your email, as well as the title of the workshop for which you are applying.
  • Please provide a phone number where you can be reached and a link to your website.

Submissions that do not follow the requested directions will not be reviewed.

If you are accepted, a deposit of $650 will be required within one week of notification of acceptance to hold your place. Housing will be assigned on a space-available basis upon enrollment

Media

Any preferred media, with expectations of trying new processes.

Supply List

Faculty

Brent Howard

Brent Howard is a sculptor based out of the Woodlands, Texas. His recent work examines the alchemic notion of environment and materiality, along with their storied past and present state, to transmute the past, within the auratic present. Howard’s most recent work explores the essence of individual materiality and poiesis through alabaster, marble, metal, and fiberglass. He was core faculty in the Sculpture department at the Yale School of Art and taught at Skowhegan Artist Residency as well as longtime assistant to Louise Bourgeois.

Learn More

Brent Howard, Piazza

Join Waitlist for Master Class: Advanced Sculpture, Studio and Critique

Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.

Sculpture

Express your creativity and vision by exploring the limitless art of sculpture. At Anderson Ranch, our sculpture program offers a vibrant spectrum of workshops that reflect a variety of studio practices. At the confluence of tradition and technology, these programs are material and technique-rich, ranging from classical metal fabrication to experimental digital production.

Students work in communal and interactive studios designed for all levels of experience, supporting traditional and nontraditional methods. The sculpture studios are fully equipped with advanced machinery and offer additional outdoor covered workspace.

Our renowned sculpture faculty work closely with students through critical discussions, material demonstrations and individual assistance. Instructors encourage exploration and experimentation, emphasizing process and idea development. We complement this with a focus on process and sound construction. You leave with far more than finished pieces—you walk away with the tools and inspiration required to elevate your studio practice.

Learn More

Workshop Details

Supply List

Many of the items you'll need are available in the ArtWorks Store. Please click "View Full Supply List" to see a comprehensive list of items you'll need for this workshop.

Lodging & Meals

Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations. 

We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.

The Ranch Café meal plan that is included with Room and Board fees strives to provide healthy, creative meals that will nourish your artistic creativity. The meal plan includes 5 days of continental breakfasts that will include a hot offering, 5 lunches with a selection of offerings, and 5 dinners.

 

Scholarships, College Credit & Discounts

Making Art Accessible

Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.

Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.

Learn More

You Might Also Be Interested In

  • O

    Open to All

    Students of any skill and knowledge level.

Jun 3 - 7, 2024
9AM - 5PM

The Brutal and the Delicate: Steel Combined with Soft Materials

Carl Reed

Tuition $1,160
Code S0101-24

Throughout art history, steel is a material commonly associated with industry, violence, and strength. This workshop challenges such connections by investigating ways that steel can become visually delicate, and by inventing new meanings and visual relationships through combining steel with materials with opposite characteristics. Exercises address technical and creative inquiries regarding how steel is cut, shaped, and physically joined, and how to challenge material assumptions if steel becomes a secondary, rather than primary, compositional element. We explore the aesthetic and technical consequences of combining steel with soft, vulnerable, contradictory, and unexpected materials.

Learn More

  • II

    Level II

    Students have a basic understanding of forming techniques, such as throwing and hand building. Students have taken one or two ceramics classes or workshops.

  • III

    Level III

    Students have significant experience with clay forming techniques, such as throwing, hand building and modeling. Students are comfortable with ceramics equipment, such as wheels, extruders and slab rollers. Students are self­-starting with some formal training and have taken a minimum of three classes or workshops.

Jun 10 - 21, 2024
9AM - 5PM

Building with Clay and Steel

Trey Hill

Tuition $1,600
Code S0203-24

Investigate new materials and approaches to building sculpture in this two-week exploratory workshop. Students discover innovative ways to combine different materials, creating dynamic mixed-media sculptures. This workshop experiments with adding different materials to students’ work—such as clay, steel, and found objects—while considering how each adds formal information and intensified content. This rigorous studio environment gives access to a variety of new materials and fresh ways of approaching students’ studio practice. The workshop is open to students working in any media who are looking to try something different and add new skills to their toolbox.

Learn More

  • II

    Level II

    Students have a basic understanding of forming techniques, such as throwing and hand building. Students have taken one or two ceramics classes or workshops.

  • III

    Level III

    Students have significant experience with clay forming techniques, such as throwing, hand building and modeling. Students are comfortable with ceramics equipment, such as wheels, extruders and slab rollers. Students are self­-starting with some formal training and have taken a minimum of three classes or workshops.

Jun 17 - 28, 2024
9AM - 5PM

Thinking Positive: Molding and Casting the Sculptural Form

Hae Won Sohn

Tuition $1,450
Code C0304-24

The workshop focuses on reverse thinking between the cast form and the mold. While learning the basics of plaster mold-making and slip-casting, students are introduced to the versatility of molds by exploring the interplay of the negative and positive forms created in the casting process. Students are encouraged to explore molds beyond their conventional use as a way to produce multiples and discover the possibilities of mold-making as a generative tool for creating new forms. With access to the kilns and ceramic and sculpture studios, students are able to create unique mixed-media and ceramic sculptures.

Learn More

Thank you for subscribing to our newsletter.

Tell us what you're interested in!