Printmaking
Code: R0807-24
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IV
Level IV
Students have advanced skill and knowledge of the printmaking fields. Students are highly motivated and self-directed, have a minimum of five years experience in their field, and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.
Master Class: Creative Approaches to Printmaking
Jul 22 - 26, 2024
9AM - 5PM
Concept
This unique opportunity for advanced printmakers creates a forum for dialog on curating practice to give strong direction to artistic work. Artists are invited to work on self-directed projects in the printmaking area of their choosing while receiving technical support in tandem with critical feedback. Opportunities for technical demonstrations, group critique, and one-on-one mentorship make up the structure of this master class. *Brian Shure will be present for the entire duration of the workshop; Niki Haas will join daily from 9am – 3pm.
Portfolios will be accepted on a rolling basis. Instructions on how to submit your portfolio are as follows:
- Submit digital images of your work in one single PDF (as opposed to individual JPG attachments) via email directly to Lindsey Yeager, Studio Coordinator of Painting, Drawing & Printmaking, at [email protected]
- The single PDF must be less than 10 MB to be considered.
- Include 5-10 images of your work with image identification that lists the title, media, dimensions and year of each image. While not required, it is helpful to see an artist statement addressing the images you send. Include “Advanced Portfolio Review” in the subject line of your email, as well as the title of the workshop for which you are applying.
- Please provide a phone number where you can be reached and a link to your website. Submissions that do not follow the requested directions will not be reviewed.
If you are accepted, a deposit of $650 will be required within one week of notification of acceptance to hold your place. Housing will be assigned on a space-available basis upon enrollment.
Media
Monoprint, woodcut, collagraph, intaglio
Supply ListFaculty
Nikolai Haas
Niki Haas of the Haas Brothers explores aesthetic and formal themes related to nature, science fiction, sexuality, psychedelia, and color theory in prolific materials. Since its founding in 2010, the Haas Brothers have evolved from fabricators and collaborators to nimble cross-pollinators in creative disciplines including fashion, film, music, art, and design. They apply their unique approach to a multitude of materials, ranging from brass, bronze, beads, porcelain, and fur to highly technical resins and polyurethane. Often functional in form, their work continues to challenge the slippery divide between art and design.
Brian Shure
Master Printer-in-Residence
Brian Shure is represented by Planthouse Gallery in New York, where he curated the 2018 show Bathing. He has taught at RISD, Brown and Cornell and conducted classes in China, Japan, Mexico & Germany. He is Master Printer, Director of Anderson Ranch Editions at Anderson Ranch.
Join Waitlist for Master Class: Creative Approaches to Printmaking
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Printmaking
Discover the exciting possibilities of this historically rooted medium. Our Printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer printmaking workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.
Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga and lithography. Students have access to individual work tables, wall space, palettes, rags, hand tools, power tools, computers with Adobe software, wi-fi, printing, scanning, and projection capabilities.
At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.
Anderson Ranch is happy to extend a 20% tuition discount* in summer one- or two-week adult workshops for SGC International members. Please email reg@
Workshop Details>
Supply List
Many of the items you'll need are available in the ArtWorks Store. Please click "View Full Supply List" to see a comprehensive list of items you'll need for this workshop.
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
The Ranch Café meal plan that is included with Room and Board fees strives to provide healthy, creative meals that will nourish your artistic creativity. The meal plan includes 5 days of continental breakfasts that will include a hot offering, 5 lunches with a selection of offerings, and 5 dinners.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
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Hiroki Morinoue
Tuition $1,800
Code R1514-24
This exciting printmaking intensive focuses on mokuhanga: water-based Japanese woodblock printmaking. This unique, environmentally friendly process involves hand carving and can be done at home on any scale, at any time, and in any place. The class discipline is to work in a narrative concept, creating a dialog in both storytelling and relationship with color, form, and space as a narrative in a diptych or long format. The students compose and recompose printed compositions to create complex images printed from beautiful shina wood onto traditional Japanese mulberry paper.