Printmaking
Code: R1413-22
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Open to All
Students of any skill and knowledge level.
Cross-pollinate: Blending Printmaking Techniques
Sep 5 - 9, 2022
9AM-5PM
Concept
Delve into an extensive range of printmaking techniques, exploring the hybrid print. Students incorporate basic intaglio techniques, gum transfers and chine collé. The results are dynamic, multilayered prints that allow for the best of each technique to be celebrated. Students work with both hand-generated and photographic imagery and embrace technical exploration and experimentation. The workshop introduces each technique as a single process procedure, then investigates ways to combine the methods to discover which print qualities are emboldened when combined in a single image. Students produce works that reflect a synthesis of process, layering, composition and ideas.
View All Printmaking Workshops
Media & Techniques
Students are introduced to basic intaglio/etching techniques, gum transfer printing, and chine collé. A combination of hand-drawn, graphic and photographic imagery is utilized. We also assess how to incorporate various papers and materials together using the chine collé process.
Supply ListFaculty
Genevieve Lowe
Genevieve Lowe received her MFA from Rhode Island School of Design. Her work utilizes a variety of materials from printmaking to photography to sculpture. Her work has been shown at The Java Project, The Wassaic Project, Field Projects, The David Krut Projects, Sediment Arts, Collar Works, Chashama, Trestle Gallery, and Spring/Break Art Show. Lowe is a co-director and curator at Transmitter Gallery in Brooklyn, NY.
Genevieve Lowe, October, detail
Workshop Details
Workshop Supplies
For general information about studio access, shipping, and more, please visit our info page.
If you have any questions regarding your supplies for your workshop, please contact Lindsey Yeager, [email protected].
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Course fees includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of course fees for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Printmaking
Printmaking Studio in Aspen / Snowmass
The Printmaking Studio at Anderson Ranch Arts Center, located in Snowmass Village near Aspen, Colorado, is a professional fine art print studio designed to support immersive studio practice across traditional and contemporary print processes. The facility offers dedicated press areas, specialized equipment, and technical infrastructure for artists working in intaglio, relief, monotype, lithography, and experimental printmaking techniques.
Interested in enrolling? Explore the full schedule of Printmaking workshops at Anderson Ranch.
Discover the exciting possibilities of this historically rooted medium. Our Printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer printmaking workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.
Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga, and lithography. Students have access to individual work tables, wall space, rags, hand tools, computers with Adobe software, wifi, printing, scanning, and projection capabilities.
At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.
Don’t know where to start? View the skill levels for Printmaking workshops.
Anderson Ranch Arts Center is a historic, rustic campus that features gravel pathways and uneven terrain that may pose challenges for individuals using wheelchairs or other mobility devices. We strive to provide accommodations to ensure all guests can access and enjoy our programs and facilities. With advance notice, our staff can offer personalized assistance and coordinate access to studios and campus spaces. For questions or to request an accommodation, please contact us at (970) 923-3181 or [email protected].
Anderson Ranch is happy to extend a 20% tuition discount* for summer one- or two-week adult printmaking workshops for SGC International members at the advocate membership level or above. Please email [email protected] with your SGCI membership information prior to registering and we will send you a promo code to complete registration with your discount applied. You are also welcome to call 970-924-5089 to register after verifying your membership with us. **Please note this discount must be approved prior to registering and cannot be applied retroactively. SGCI discount does not apply to Advanced Mentored Studies programs or Destination Workshops, nor can it be combined with any other discount, scholarship or special offer.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
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Level II
Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.
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Level III
Students have significant experience in the print medium that is the subject of the workshop.
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Monotype and Woodcut: Nature, Color, and Light
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Code R0404-26
This rigorous, engaging, printmaking workshop focuses on monoprint and woodcut methods with an emphasis on layering color to produce luminous results. We begin with observational studies from the natural world, and explore trace, stencil, painterly, and multiple plate monotype methods. Reduction woodcut techniques are then added to layer transparent and opaque color to create a radiant sense of space. We make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine printing using a woodcut matrix with a variety of monoprint methods.
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II
Level II
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Level III
Students have significant experience in the print medium that is the subject of the workshop.
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Monotype and Woodcut: Hand and Laser Cut Matrices
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Tuition $1,275
Code R0505-26
This rigorous, engaging, printmaking workshop explores color monoprint and woodcut processes using hand and laser-cut stencils and blocks to create one-of-a-kind and editioned prints. We begin with observational studies from the natural world and explore monotype with stencils and multiple plates. We then use the laser cutter to cut woodblocks and combine these puzzle block prints with hand carved marks, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine multiple matrices in many ways.
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O
Open to All
Students of any skill and knowledge level.
Jul 6 - 10, 2026
9 AM - 5 PM
Between the Mesh: The Hybrid Screen Print
Tyanna J. Buie
Tuition $1,275
Code R0606-26
Students explore a wide range of traditional and experimental screen printing techniques, examining the expressive potential of digital and mechanical mark-making, richly layered color, and dynamic variable editions. Processes covered include drawing fluid and screen-filler stencils, photo-chemical stencils created from both hand-drawn and digital imagery, monoprints/monotypes, and the integration of found collage materials — all paired with hybrid approaches that merge analog and digitally produced images.