Painting & Drawing
Code: D1018-22
-
III
Level III
Students have formal training in critical issues of 2-D art making, experience with public critiques and a solid portfolio of their artwork.
Developing Narrative: Content, Form and Color
Aug 8 - 12, 2022
9AM - 5PM
Concept
This course challenges students to think critically about the potential for narrative in their figurative work and the ways to enhance a sense of story within a painting. It examines the distinctive ability for a painting to ask questions, convey mood and character and cause the viewer to be spellbound by the wonder of visual storytelling. These challenges are accessed and problem-solved through painterly decisions regarding form, pattern, brush strokes, mark-making, color choice, gesture and other formal concerns that are at the core of this exciting narrative painting workshop.
Media & Techniques
A variety of painting mediums, variety of substrates
Supply ListFaculty
Elizabeth Glaessner
Elizabeth Glaessner has been exhibited in New York and internationally, including most recently in Paris with Perrotin and at the Galveston Artist Residency. She was also awarded residencies at the Leipzig International Art Programme and Glogau Artist-in-Residency in Berlin. She received her MFA from the New York Academy of Art. Elizabeth is represented by P.P.O.W. Gallery in New York City.
Gerald Lovell
Born in 1992 in Chicago, IL, to Puerto Rican and African American parents—Gerald Lovell, uses his artistic practice as a means to self-discovery, and self-articulation. Lovell began his career as an artist after dropping out of the graphic design program at the University of West Georgia as an undergraduate, realizing his need to embrace a new creative path. This epiphany Lovell had in 2014 was his point of departure from a more formal to informal and unorthodox mode of artistic production. He later emerged as a self-taught artist, showing his work on the Atlanta art scene and beyond. Lovell has since developed a unique style and approach to painting, as he poses a dialogue between interspersed impasto and flat surrealist styles on canvas, to create imaginative portraits—using heavy paint application to highlight the human form. His development as a portrait painter has led to works of a very quotidian and common nature—while reifying the lived experiences of his peers.
Gerald Lovell, Day on the court
Join Waitlist for Developing Narrative: Content, Form and Color
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Painting & Drawing
Make, reflect, consider, engage—these are all critical elements of the Painting and Drawing workshops at Anderson Ranch. Our exceptional workshops combine focused, hands-on art making with critical feedback for artists of all levels. Painting and Drawing guest faculty are phenomenal artists and educators with experience supporting students by offering technical knowledge and encouragement.
The bright, natural light of the Wyly Painting and Drawing Building provides an inspiring environment where students can explore and expand their artistic practice. Our facilities are equipped with individual worktables, wall space, easels, rolling palettes, odorless solvents, a wide range of hand tools, computer access with Adobe software, wifi, printing, scanning, and projection capabilities. Spend a week here— or several—and engage in a variety of activities that will fuel your practice throughout the year.
Workshop Details
Workshop Supplies
For general information about studio access, shipping, and more, please visit our info page.
If you have any questions regarding your supplies for your workshop, please contact Lindsey Yeager, [email protected].
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In
-
O
Open to All
Students of any skill and knowledge level.
Jun 2 - 6, 2025
9AM-5PM
Painting: Encompassing Wonder
Jody Guralnick
Tuition $1,415
Code D0101-25
Observe nature with fresh eyes, letting time slow to examine the wild world closely. Investigate nature firsthand, using magnifying loupes to inspect subjects, contemplating life, growth, decay, and regeneration. Using the natural world as source material, we read, discuss, observe, and embark on a painting journey. The emphasis of this workshop is thinking about painting as process and movement rather than fixed form, depicting nature with paint without needing to reproduce observations in a literal way. Melding abstraction and representation, students discover and produce depth, allowing an image to float to the surface. We learn to develop form, mix color, and consider composition, all inspired by what we see around us.
-
O
Open to All
Students of any skill and knowledge level.
Jun 2 - 6, 2025
9AM-5PM
Portrait and Figure in Watercolor: Curiosity and Awareness
Brian Shure
Tuition $1,415
Code D0103-25
Bring the face and figure to life with the transparency and immediacy of watercolor. This extremely expressive media can also be highly controlled. We work from life as well as photographic sources in this deceivingly direct paint medium. With daily demonstrations and a series of simple and accessible studio exercises, students develop skills controlling resoluble colors, reserving and pulling back highlights and maintaining brilliant and delicate tones that are unique to water-based media. We focus on capturing the essence of the portrait and figure through taking time to look and record what we see.
-
O
Open to All
Students of any skill and knowledge level.
Jun 2 - 6, 2025
9AM-5PM
Works on Paper: Collage and Gouache
Shoshanna Weinberger
Tuition $1,415
Code D0102-25
Students explore mixed media as they create works on paper in this dynamic and experimental workshop for students of all levels. The beauty of gouache and its potential for vibrancy and rich, matte tones is introduced and put into practice. Paper and its seductive surface quality and versatility as a substrate is used in a variety of ways to create collaged and multilayered imagery. Students produce multiple works on paper and discover new skills through prompts and exposure to materials, with both abstraction and the figure as options for subject matter.