Painting & Drawing
Code: D1018-22
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III
Level III
Students have formal training in critical issues of 2-D art making, experience with public critiques and a solid portfolio of their artwork.
Developing Narrative: Content, Form and Color
Aug 8 - 12, 2022
9AM - 5PM
Concept
This course challenges students to think critically about the potential for narrative in their figurative work and the ways to enhance a sense of story within a painting. It examines the distinctive ability for a painting to ask questions, convey mood and character and cause the viewer to be spellbound by the wonder of visual storytelling. These challenges are accessed and problem-solved through painterly decisions regarding form, pattern, brush strokes, mark-making, color choice, gesture and other formal concerns that are at the core of this exciting narrative painting workshop.
Media & Techniques
A variety of painting mediums, variety of substrates
Supply ListFaculty
Elizabeth Glaessner
Elizabeth Glaessner has been exhibited in New York and internationally, including most recently in Paris with Perrotin and at the Galveston Artist Residency. She was also awarded residencies at the Leipzig International Art Programme and Glogau Artist-in-Residency in Berlin. She received her MFA from the New York Academy of Art. Elizabeth is represented by P.P.O.W. Gallery in New York City.
Gerald Lovell
Born in 1992 in Chicago, IL, to Puerto Rican and African American parents—Gerald Lovell, uses his artistic practice as a means to self-discovery, and self-articulation. Lovell began his career as an artist after dropping out of the graphic design program at the University of West Georgia as an undergraduate, realizing his need to embrace a new creative path. This epiphany Lovell had in 2014 was his point of departure from a more formal to informal and unorthodox mode of artistic production. He later emerged as a self-taught artist, showing his work on the Atlanta art scene and beyond. Lovell has since developed a unique style and approach to painting, as he poses a dialogue between interspersed impasto and flat surrealist styles on canvas, to create imaginative portraits—using heavy paint application to highlight the human form. His development as a portrait painter has led to works of a very quotidian and common nature—while reifying the lived experiences of his peers.
Join Waitlist for Developing Narrative: Content, Form and Color
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Painting & Drawing
Make, reflect, consider, engage—these are all critical elements of the Painting and Drawing workshops at Anderson Ranch. Our exceptional workshops combine focused, hands-on art making with critical feedback for artists of all levels. Painting and Drawing guest faculty are phenomenal artists and educators with experience supporting students by offering technical knowledge and encouragement.
The bright, natural light of the Wyly Painting and Drawing Building provides an inspiring environment where students can explore and expand their artistic practice. Our facilities are equipped with individual worktables, wall space, easels, rolling palettes, odorless solvents, a wide range of hand tools, computer access with Adobe software, wifi, printing, scanning, and projection capabilities. Spend a week here— or several—and engage in a variety of activities that will fuel your practice throughout the year.
Workshop Details>
Workshop Supplies
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
The Ranch Café meal plan that is included with Room and Board fees strives to provide healthy, creative meals that will nourish your artistic creativity. The meal plan includes 5 days of continental breakfasts that will include a hot offering, 5 lunches with a selection of offerings, and 5 dinners.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
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Jan 6 - 24, 2025
Monday-Friday, 9AM-5PM
Participants may register for one, two, or three weeks
TUITION is $1,110 per week or $3,300 for three weeks
January Studio Sessions: Painting & Drawing
Lindsey Yeager
Tuition $1,110
Code ZSD0101-25
Anderson Ranch’s January Studio Sessions provide artists the opportunity to work on independent projects while receiving mentoring and critique sessions with Anderson Ranch artistic staff. Each participant receives an assigned studio space, orientation and access to equipment, as well as some morning group demonstrations and / or critiques. This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition. *Studios are open 24 hours a day with limited use of equipment due to safety requirements. IMPORTANT DETAILS: Students will be responsible for all material costs associated with their projects. Participants who register for multiple consecutive weeks will gain access to the studios on weekends (with the exception of the machine rooms due to safety constraints.) Private dorm rooms are available at Anderson Ranch for one, two or three weeks for an additional fee; click here to view January 2025 lodging options. TO APPLY: Applicants must submit project proposals or portfolios for approval. Contact Liz Ferrill to apply: [email protected]
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O
Open to All
Students of any skill and knowledge level.
Jan 6 - 17, 2025
9AM - 5PM
Painting and Photography: An Archaeological Approach to Text and Image
Kate Leonard
Tuition $2,150
Code JANSTU2025P
Two art forms collide in this fascinating look at the intersection of photography and painting. Join us for an engaging exploration of the artistic synthesis between these two distinct art forms. Discover new transfer techniques that integrate photographic images and text directly onto painted surfaces. Using traditional collage and photomontage, master new methods that allow for opaque and translucent layers. Reductive methods such as sanding and scraping reveal the history of earlier photographic layers and suggest an archaeological approach to image development. We begin each morning with a technical demonstration illustrated with visual examples from contemporary art. A range of integrated photographic painting approaches will be introduced on paper, canvas and panels in acrylic. By midweek, our investigations continue to larger artworks tailored to each student.
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IV
Level IV
Students have advanced skill and knowledge of painting and drawing. Students are highly motivated and self-directed, have a minimum of five years experience in their field and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.
Aug 11 - 15, 2025
9AM - 5PM
Advanced Mentored Studies: Topics in Painting: Studio Practice and Critique
Shahzia Sikander, Holly Hughes
Tuition $2,630
Code D1124-25
This three-year advanced mentorship program encourages students to push their studio practice. Working at a rigorous pace, engaging in critical dialogue with the group and with the instructors in individual critique, artists refine and expand their investigations. Wide-ranging topics include concept and approach to contemporary art practice as well as technical and material explorations. Students are expected to work independently with the support of their class peers and instructors, raising the ambition of their own studio goals. Although primarily a painting workshop, participation by installation artists and other artists working across media is encouraged. The goal of the series is for students to gain community, develop insight into their work and, through discussion, challenge themselves to reflect on their artistic intentions. 2025 is the first year of this three-year intensive program. In the subsequent two years of the program, the cohort meets in-person at Anderson Ranch from August 10th - 14th, 2026 and August 16th - 20th, 2027. Over the course of the program, there are group and one-on-one meetings via Zoom in March and October of each year. The final meeting is via Zoom in October 2027.