Sculpture
Code: S0806-24
-
IV
Level IV
Students have advanced skills and knowledge of sculpture. Students are highly motivated, have a minimum of five years experience in the field and have multiple portfolios of their artwork. Typical students are academics and professional artists.
Master Class: The Engineer and Madam Bricolage are Lovers
Jul 22 - 26, 2024
9AM - 5PM
Concept
In the early 1990s “Bricolage” was heavily referenced as a method of discourse, based on ideas found in the works of French theorists Claude Levi-Straus and Jacque Derrida. Thirty years later the term has become ubiquitous, naming entrepreneurial theory, restaurants, and architecture firms. Lifting small quotes from original texts, Sheila leads a master class in her favorite studio methods of accumulation, construction, and “taking apart and putting- back together,” all the while subjecting outcomes to tests of complexity, legibility, and aesthetic resolve. Open to all media from metal to found materials to fabric, this class encourages participants to come with their own set of studio practices and concerns, but to be looking for an opportunity to grow and expand their work.
Media
Metal, welding, wood construction, assemblage, found objects, fabric, installation
Supply ListFaculty
Sheila Pepe
As an artist and educator, Sheila Pepe likes to trespass disciplinary boundaries, and has been working in various sculptural media since 1995. Her work has been shown nationally and internationally, including venues such as the DeCordova Sculpture Park and Museum, Lincoln, MA; the Minnesota Museum of American Art, St. Paul, MN; The Bemis Center for the Arts in Omaha, NE; and Art International with PASAJ, Istanbul, Turkey. Her most recent installation, “My Neighbor’s Garden,” was on public view in New York’s Madison Square Park. She has taught at Bard, Columbia, Pratt, RISD, Stanford, VCU, Williams College, and Yale, and was resident faculty at Skowhegan School of Painting and Sculpture in 2013 and at Dartmouth University in 2024.
Sheila Pepe, My Neighbor's Garden
Tuition: $1,270.00
Studio Fee: $180.00
Registration Fee: $45.00
Join Waitlist for Master Class: The Engineer and Madam Bricolage are Lovers
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Sculpture
Express your creativity and vision by exploring the limitless art of sculpture. At Anderson Ranch, our sculpture program offers a vibrant spectrum of workshops that reflect a variety of studio practices. At the confluence of tradition and technology, these programs are material and technique-rich, ranging from classical metal fabrication to experimental digital production.
Students work in communal and interactive studios designed for all levels of experience, supporting traditional and nontraditional methods. The sculpture studios are fully equipped with advanced machinery and offer additional outdoor covered workspace.
Our renowned sculpture faculty work closely with students through critical discussions, material demonstrations and individual assistance. Instructors encourage exploration and experimentation, emphasizing process and idea development. We complement this with a focus on process and sound construction. You leave with far more than finished pieces—you walk away with the tools and inspiration required to elevate your studio practice.
Workshop Details
Supply List
Many of the items you'll need are available in the ArtWorks Store. Please click "View Full Supply List" to see a comprehensive list of items you'll need for this workshop.
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
The Ranch Café meal plan that is included with Room and Board fees strives to provide healthy, creative meals that will nourish your artistic creativity. The meal plan includes 5 days of continental breakfasts that will include a hot offering, 5 lunches with a selection of offerings, and 5 dinners.
Related Events
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In
-
O
Open to All
Students of any skill and knowledge level.
Jun 3 - 7, 2024
9AM - 5PM
The Brutal and the Delicate: Steel Combined with Soft Materials
Carl Reed
Tuition $1,160
Code S0101-24
Throughout art history, steel is a material commonly associated with industry, violence, and strength. This workshop challenges such connections by investigating ways that steel can become visually delicate, and by inventing new meanings and visual relationships through combining steel with materials with opposite characteristics. Exercises address technical and creative inquiries regarding how steel is cut, shaped, and physically joined, and how to challenge material assumptions if steel becomes a secondary, rather than primary, compositional element. We explore the aesthetic and technical consequences of combining steel with soft, vulnerable, contradictory, and unexpected materials.
-
II
Level II
Students have a basic understanding of forming techniques, such as throwing and hand building. Students have taken one or two ceramics classes or workshops.
-
III
Level III
Students have significant experience with clay forming techniques, such as throwing, hand building and modeling. Students are comfortable with ceramics equipment, such as wheels, extruders and slab rollers. Students are self-starting with some formal training and have taken a minimum of three classes or workshops.
Jun 10 - 21, 2024
9AM - 5PM
Building with Clay and Steel
Trey Hill
Tuition $1,600
Code S0203-24
Investigate new materials and approaches to building sculpture in this two-week exploratory workshop. Students discover innovative ways to combine different materials, creating dynamic mixed-media sculptures. This workshop experiments with adding different materials to students’ work—such as clay, steel, and found objects—while considering how each adds formal information and intensified content. This rigorous studio environment gives access to a variety of new materials and fresh ways of approaching students’ studio practice. The workshop is open to students working in any media who are looking to try something different and add new skills to their toolbox.
-
II
Level II
Students have a basic understanding of forming techniques, such as throwing and hand building. Students have taken one or two ceramics classes or workshops.
-
III
Level III
Students have significant experience with clay forming techniques, such as throwing, hand building and modeling. Students are comfortable with ceramics equipment, such as wheels, extruders and slab rollers. Students are self-starting with some formal training and have taken a minimum of three classes or workshops.
Jun 17 - 28, 2024
9AM - 5PM
Thinking Positive: Molding and Casting the Sculptural Form
Hae Won Sohn
Tuition $1,450
Code C0304-24
The workshop focuses on reverse thinking between the cast form and the mold. While learning the basics of plaster mold-making and slip-casting, students are introduced to the versatility of molds by exploring the interplay of the negative and positive forms created in the casting process. Students are encouraged to explore molds beyond their conventional use as a way to produce multiples and discover the possibilities of mold-making as a generative tool for creating new forms. With access to the kilns and ceramic and sculpture studios, students are able to create unique mixed-media and ceramic sculptures.