Printmaking

Code: R0101-21

    • I

      Level I

      Students have very limited experience or none at all. Classes usually start with a full day of basic instruction.

    • II

      Level II

      Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.

Monotype, Drypoint and Collagraph

Jun 7 - 11, 2021

9AM-5PM

Concept

Explore the possibilities of monotype printmaking processes and the mediums‘ potential combined with drypoint and collagraph. Monotype yields a series of unique fine art prints on paper, the fluid process offering an immediacy of expression with its dynamic surface reworking. Painterly techniques such as additive and subtractive drawing methods, masks, stencils, and collage are introduced alongside the printmaking techniques of drypoint and collagraph to create sculptural matrices that may be printed using a variety of inking methods to suit an artist’s ever-evolving vision.

Media

Monotype painting/drawing techniques with oil-based inks and watercolors, intaglio inking method, relief “roll-ups” inking method, chine collé collage elements, layering and registration with multiple passes through the press collagraph (adhering found objects to the printing matrix), drypoint, monoprinting

Faculty

Derick Wycherly

Derick Wycherly (Chippewa Cree) is an artist and collaborative printmaker from Montana. Derick received a BFA from the Rhode Island School of Design in 2011, then worked at the esteemed print workshop, Harlan & Weaver, in New York until 2019. Derick is an Ed-Grs fellow and MFA candidate in Printmaking 2022 at the University of Wisconsin, Madison.

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Derick Wycherly, Thirsty Hills - detail

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Printmaking

Discover the exciting possibilities of this historically rooted medium. Our Printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer printmaking workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.

Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga and lithography. Students have access to individual work tables, wall space, palettes, rags, hand tools, power tools, computers with Adobe software, wi-fi, printing, scanning, and projection capabilities.

At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.

Anderson Ranch is happy to extend a 20% tuition discount* in summer one- or two-week adult workshops for SGC International members. Please register online and then email reg@andersonranch.org with your membership information and we will make the adjustment once you are in the system. You are also welcome to call 970-924-5089 to register. *Please note that the SGC discount cannot be combined with any other discount, scholarship or special offer. 

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Workshop Details

Supply List

Many of the items you'll need are available in the ArtWorks Store. Please click "View Full Supply List" to see a comprehensive list of items you'll need for this workshop.

Rives BFK printmaking paper

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Lodging & Meals

Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations. 

We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.

The Ranch Café meal plan that is included with Room and Board fees strives to provide healthy, creative meals that will nourish your artistic creativity. The meal plan includes 5 days of continental breakfasts that will include a hot offering, 5 lunches with a selection of offerings, and 5 dinners.

 

Scholarships, College Credit & Discounts

Making Art Accessible

Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.

Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.

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  • IV

    Level IV

    Students have advanced skill and knowledge of the printmaking fields. Students are highly motivated and self­-directed, have a minimum of five years experience in their field, and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.

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Master Class: Advanced Printmaking: Topics and Techniques

Meleko Mokgosi, Brian Shure

Tuition $1,300
Code R0303-24

This unique opportunity for advanced printmakers creates a forum for dialog on curating practice to give strong direction to artistic work. Artists are invited to work on self-directed projects in the printmaking area of their choosing while receiving technical support in tandem with critical feedback. Opportunities for technical demonstrations, group critique, and one-on-one mentorship make up the structure of this master class. *Brian Shure will be present for the entire duration of the workshop; Meleko Mokgosi will join daily from 9am - 3pm.   Portfolios will be accepted on a rolling basis. Instructions on how to submit your portfolio are as follows: Submit digital images of your work in one single PDF (as opposed to individual JPG attachments) via email directly to Lindsey Yeager, Studio Coordinator of Painting, Drawing & Printmaking, at lyeager@andersonranch.org The single PDF must be less than 10 MB to be considered. Include 5-10 images of your work with image identification that lists the title, media, dimensions and year of each image. While not required, it is helpful to see an artist statement addressing the images you send. Include “Advanced Portfolio Review” in the subject line of your email, as well as the title of the workshop for which you are applying. Please provide a phone number where you can be reached and a link to your website. Submissions that do not follow the requested directions will not be reviewed. If you are accepted, a deposit of $650 will be required within one week of notification of acceptance to hold your place. Housing will be assigned on a space-available basis upon enrollment.

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