Photography & New Media
Photography students have some formal training and significant experience making, capturing and digitally processing images using Adobe Lightroom and/or Adobe Photoshop. New Media students have some formal training in conceptual and technological aspects of video, multimedia, coding or animation and are versed in the appropriate software applications. Students have a portfolio of their artwork.
Photography students have advanced skills and knowledge of photography and digital image processing. New Media students have advanced skills and knowledge of video, multimedia, coding or animation. Students are self-motivated and have multiple portfolios of their artwork.
What about Love?
Jun 21 - 25, 2021
Our best photographs are often inspired by immensely emotional, physical or psychological pulls within our lives. In photographing people, places and even objects that one is intimately acquainted with or drawn to, one is able to communicate a more profound and specific level of understanding through the camera’s lens. Intense feelings can inspire and inform many working methodologies – a narrative story, a personal journal, a documentary, a visual poem, self-portraiture and more. Many shy from “the emotional” within one’s images, but in this workshop, students are encouraged to embrace these feelings to enhance and inform vision and style, while delving deeper into the emotions and nuances of one’s experiences and surroundings and how they coalesce into photographic imagery. Students make a body of work that delves into ideas around love, longing and other personal and emotional explorations. Students receive a pre-workshop assignment; there are readings, writing exercises, critiques, slide lectures, short field trips, films and discussions.
Workshop sponsored by Ilford.
Students use digital cameras, a digital workflow with Adobe Lightroom and Adobe Photoshop, and digital printmaking techniques
CLICK HERE for full supply list information.Supply List
Fine Art Photographer Elinor Carucci was born in Jerusalem. Her work has been exhibited worldwide and appeared in publications internationally. Her work is in the collections of MoMA, The Jewish Museum, the Brooklyn Museum, and many others. She was awarded the ICP Infinity Award in 2001, The Guggenheim Fellowship in 2002, and NYFA in 2010. Carucci has published five monographs to date: Closer, Diary of a Dancer, MOTHER, MIDLIFE, and most recently, The Collars of Ruth Bader Ginsburg. Carucci teaches at the graduate programs of photography at School of Visual Arts and is represented by Edwynn Houk Gallery.
Join Waitlist for What about Love?
Photography & New Media
Photography has always been a vital part of Anderson Ranch, one in which students explore visual storytelling through a variety of contexts and concepts. The program has uniquely evolved to focus on both traditional photography and new media— making it one of the only workshop settings of its kind. Three floors of the Fischer Photography Center house state-of-the-art equipment, including three photography studios, two Mac labs, a traditional darkroom, and a lighting studio with strobe and continuous lighting for photography and video.
All Photography workshops are rooted in the same idea—powerful art requires rigorous inquiry of techniques and ideas. We focus on technical skills, content and critical dialog. Students have access to color-managed media labs equipped with 24-inch iMacs, flatbed and film scanners, Epson printers, and cutting-edge software including Adobe Creative Cloud. When appropriate, students utilize strobe and tungsten lighting equipment, seamless backdrops, green screen, audio and video recording equipment and Epson large-format printers.
The Ranch Photography and New Media team creates an inspiring environment, allowing artists of all levels to explore lens-based media and the journey of artistic discovery in the unparalleled setting of the Colorado Rockies.
Anderson Ranch is happy to extend a 20% tuition discount* in one- and two-week adult Summer Workshops for SPE members. Please register online and then email email@example.com with your membership information and we will make the adjustment once you are in the system. You are also welcome to call 970-924-5089 to register. *Please note that the SPE discount does not apply to The Center / Advanced Mentored Studies program, nor can it be combined with any other discount, scholarship or special offer.
Many of the items you'll need are available in the ArtWorks Store. Please click "View Full Supply List" to see a comprehensive list of items you'll need for this workshop.
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
The Ranch Café meal plan that is included with Room and Board fees strives to provide healthy, creative meals that will nourish your artistic creativity. The meal plan includes 5 days of continental breakfasts that will include a hot offering, 5 lunches with a selection of offerings, and 5 dinners.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In>
Open to All
Students of any skill and knowledge level.
Jan 8 - 19, 2024
9AM - 5PM Monday - Friday
Collage and Combined Techniques
K Rhynus Cesark
Expand your collage techniques with digital and traditional processes to create simple and layered composite images and constructions. Combine painting, drawing, printmaking, photography, wood, paper and found or fabricated imagery to tell your story. Students use the laser cutter to cut or engrave paper or other materials and push their imagery further by utilizing the capabilities of the UV printer. Demonstrations include collage, nontoxic resin, laser engraved imagery and cutting, and transfer techniques. Participants will have the freedom to explore individual projects with the assistance of the fabrication lab assistants.
Jan 8 - 26, 2024
Participants may register for one, two, or three weeks.
TUITION is $1050 per week or $3150 for three weeks.
January Studio Sessions: Photography & New Media
Esther Macy Nooner
Anderson Ranch’s January Studio Sessions provide artists the opportunity to work on independent projects while receiving mentoring and critique sessions with Anderson Ranch artistic staff. Each participant receives an assigned studio space, orientation, and access to equipment, as well as some morning group demonstrations and / or critiques. This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition. IMPORTANT DETAILS: Students will be responsible for all material costs associated with their projects. Participants who register for multiple consecutive weeks will gain access to the studios on weekends (with the exception of the machine rooms due to safety constraints.) Private dorm rooms are available at Anderson Ranch for one, two or three weeks for an additional fee; please inquire for details and availability. Applicants must submit project proposals or portfolios for approval. Contact Liz Ferrill to apply: firstname.lastname@example.org
Open to All
Students of any skill and knowledge level.
Jun 3 - 7, 2024
9PM - 5PM
Photographic Collage: An Exploration of Photography & Painting
This class offers an engaging exploration of the synthesis between two distinct art forms: photography and painting. Students discover transfer techniques that integrate photographic images and text directly onto painted surfaces, resulting in intriguingly layered works. Participants explore traditional collage and photomontage, and master new methods that allow for opaque and translucent layers. Reductive methods, such as sanding and scraping, reveal the history of earlier photographic layers and suggest an archaeological approach to image development. The workshop emphasizes experimentation and exploratory approaches. Students produce a portfolio of physical examples of all techniques.