The Center for Advanced Mentored Studies

A vital link in the education of emerging artists.

The Center students gain access to master faculty—top contemporary artists and educators—over a three-year period, providing rigorous inquiry and steady direction for their individual practice. Students gain the critical levels of knowledge and mentorship necessary to take the next, important steps of becoming serious contributors in their chosen fields.

Anderson Ranch offers The Center programs in the fields of Photography, Painting and Drawing, Sculpture, Digital Fabrication and Ceramics.

The programs, which include studio work, critical dialog and critique, offer artists the opportunity to expand the scope of their current practice as well as their ability to develop a critical eye regarding their work. In addition to weeklong or two-week workshops each year, participants engage in mid-year portfolio reviews as well as quarterly meetings with faculty to discuss their ongoing work and progress. At mid-year, the faculty conduct an online critique with the entire group.

Programs within The Center are generously underwritten by Becky and Mike Murray and Pam Joseph. 

Workshops

  • IV

    Level IV

    Students have advanced skills and knowledge of the ceramics field. Students are highly motivated, have a minimum of five years experience in the field and have a portfolio of their artwork. Typical students are academics and professional artists.

Aug 5 - 16, 2024
9AM - 5PM

The Center: The Mold and Matrix: Ceramic Process and Narrative Form

Ebitenyefa Baralaye, Del Harrow

Tuition $2,250
Code C1013-24

This three-year mentorship program is intended for ceramic artists interested in critical feedback and immersion in a creative community and who are at a point of transition in their lives, careers, or artistic practices. Emphasis is placed on seeking connections, metaphors, and symmetries between processes for forming clay and developing ways of generating meaning. The objects we make tell stories and propose worlds; a coil and a mold are both techniques for forming clay and also propositions about the meaningful interface of material, body, mind, economy, and culture. We focus on ways stories emerge from physical objects and how narratives give structure to physical form. We welcome participants from many different backgrounds and experiences, centering on work in clay but with the potential for different outcomes, including work in other materials, writing, sculpture, and design. 2024 is the second year of this three-year intensive program. For more information about our next session of The Center, which begins in 2026, please contact Betsy Alwin, Visiting Director of Ceramics and Expanded Media at balwin@andersonranch.org.  

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  • IV

    Level IV

    Photography students have advanced skills and knowledge of photography and digital image processing. New Media students have advanced skills and knowledge of video, multimedia, coding or animation. Students are self­-motivated and have multiple portfolios of their artwork.

Aug 19 - 23, 2024
9AM - 5PM

The Center: Visual Storytelling and Documentary Photography Projects

Ed Kashi, James Estrin

Tuition $1,850
Code P1226-24

The digital age has given documentary photographers and photojournalists new ways to tell stories with greater authorship and control. This workshop focuses on how to create a personal documentary project and get it seen. The ultimate goal is to find a subject that speaks to a personal passion, document it in a unique visual style, then disseminate the work. Participants engage new technologies to become more effective storytellers, which include social media, transmedia, virtual reality, and digital video. 2024 is the second year of this three-year intensive program. For more information about our next session of The Center, which begins in 2026, please contact Andrea Jenkins Wallace, Vice President of Artistic Affairs and Artistic Director of Photography and New Media, at awallace@andersonranch.org.

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  • IV

    Level IV

    Students have advanced skill and knowledge of painting and drawing. Students are highly motivated and self­-directed, have a minimum of five years experience in their field and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.

Aug 19 - 23, 2024
9AM - 5PM

The Center: Topics in Painting: Studio Practice and Critique

Shahzia Sikander, Holly Hughes

Tuition $1,700
Code D1225-24

This three-year advanced mentorship program encourages each student to push their studio practice. Working at a rigorous pace, and engaging in critical dialog with the group and with the instructors in individual critique, artists refine and expand their investigations. Wide-ranging topics include concept and approach to contemporary art practice as well as technical and material explorations. Students are expected to work independently with the support of their class peers and instructors, raising the ambition of their own studio goals. Although primarily a painting workshop, participation by installation artists and other artists working across media is encouraged. The goal of the series is for students to gain community, develop insight into their work and, through discussion, challenge themselves to reflect on their artistic intentions. Critiques occur in person at the Ranch as well as virtually during fall and spring each year. 2024 is the third year of this three-year intensive program. For more information about our next session of The Center, which begins in 2025, please contact Liz Ferrill, Director of Painting, Drawing, and Printmaking at lferrill@andersonranch.org.

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  • IV

    Level IV

    Photography students have advanced skills and knowledge of photography and digital image processing. New Media students have advanced skills and knowledge of video, multimedia, coding or animation. Students are self­-motivated and have multiple portfolios of their artwork.

Aug 26 - 30, 2024
9AM - 5PM

The Center: Visual Storytelling and Documentary Photography Projects

James Estrin, Ed Kashi

Tuition $1,850
Code P1328-24

The digital age has given documentary photographers and photojournalists new ways to tell stories with greater authorship and control. This workshop focuses on how to create a personal documentary project and get it seen. The ultimate goal is to find a subject that speaks to a personal passion, document it in a unique visual style, then disseminate the work. Participants engage new technologies to become more effective storytellers, which include social media, transmedia, virtual reality, and digital video. 2024 is the second year of this three-year intensive program. For more information about our next session of The Center, which begins in 2026, please contact Andrea Jenkins Wallace, Vice President of Artistic Affairs and Artistic Director of Photography and New Media, at awallace@andersonranch.org.

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The Center Faculty

Ebitenyefa Baralaye

Ebitenyefa Baralaye is a ceramicist, sculptor, and educator. His work explores objects, text, bodies, and patterns abstracted through a diaspora lens and the aesthetics of craft. Baralaye’s work has been exhibited nationally and internationally. He is currently an assistant professor in Ceramics at the College for Creative Studies in Detroit, MI.

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James Estrin

James Estrin is a staff photographer for The New York Times. He is a founder of Lens, The New York Times’s photography blog, and has been its co-editor since it launched in 2009. He has worked for The New York Times since 1992 and was part of a Pulitzer Prize-winning team in 2001. James is a co-producer of the HBO film “Under Fire: The Untold Story of Pfc. Tony Vaccaro”.

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Del Harrow

Del Harrow lives and works in Fort Collins, CO, with his wife, potter Sanam Emami, and their son, William. He is a Colorado State University professor teaching sculpture, digital fabrication, and ceramics. His work is in the permanent collections of the Arizona State University Art Museum, The US State Department Art in Embassies Collection, and the Museum of Fine Arts, Houston.

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Holly Hughes

Holly Hughes is a frequent Ranch faculty member and professor emeritus of painting at Rhode Island School of Design. Having exhibited nationally and internationally, Holly’s painting has been greatly influenced by both ceramic and printmaking practice and research. She loves “Salon Style” installations—the mixing of these genres on the wall—such as BLAZON created for the Dorsky Museum.

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Ed Kashi

Ed Kashi is a photojournalist, filmmaker and educator whose sensitive eye and intimate relationship to his subjects are signatures of his work. He is a member of the VII Photo Agency. Through his photography, filmmaking, and work as a mentor, teacher, and lecturer, Ed is a leading voice in the photojournalism and visual storytelling community.

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Shahzia Sikander

Shahzia Sikander is widely celebrated for subverting pre-modern and classical Central and South-Asian miniature painting traditions into dialogue with contemporary international art practices and launching the form known today as neo-miniature. Recipient of the MacArthur grant, Sikander’s early work is touring at the Morgan Library, the RISD museum, and MFA Houston in 2021-2022.

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Participants

Program Participants

View Current & Past Participants

“The program was essential to completing my long-term documentary project. It can be difficult to find the time for a passion project when you’re working on your own, especially when your work is emotionally challenging, and having my classmates ready to talk through the difficulties I faced helped me in more ways than I can count. I so value the people I met and the work I was able to produce through this program and know that it will continue to impact my work and career.”

-Lauren Justice, Graduate of The Center

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